Alison M. Friedman

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Seeing Red: A review of Sarah Kaufman’s review of Guangdong

Alison Friedman discusses why one modern Chinese dance performance does not represent China, or Chinese society, but does represent our shallow understanding of world dance.

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Two Poems by Selen Frantz

Modern Prometheus  “I doubted at first whether I should attempt the creation of a being like myself, or one of simpler organization; but my imagination...

Two Poems by Ihor Pidhainy

Plyzhnik’s Farewell When a kiss is more than goodbyeto coffee and the office morningthe tender parting of husband and wife,when the cell that awaits youcalls...

Three Poems by Isabel Roby

Tyrant-Poem IWe will shake our bodies like animals abandoned in the forest,and the moon will sing lullabies for thedead;the dead who were mine and did...
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