The Opposite of Gaslighting by Sunu P. Chandy

*With gratitude to all who contributed to this crowd-sourced list poem following my social media inquiry I’m so sorry that happened to you.It makes sense you would feel that way. I believe you. I...

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Damaged Sound and Matter by Nate Scheible

I started playing drums when I was 12, joined my first band at 14, and played in bands consistently for more than two decades....

Inside Out: Mind’s Eye by Mark Lieberman

The latest Pixar movie follows an 11 year-old girl named Riley, who moves with her family from her childhood home in Minnesota to a dingy apartment in San Francisco. The move makes Riley sad.

Two Poems by Michelle Ott

On Learning to Be Alone You are not supposed to want itout loud (or so I am told): the breaking open of the sternum,the flooding of...

The Music/The Spirit/The Dance: Eggun Speak by Dane Figueroa Edidi

In a cabaret I am myself. There is the dangerous expectation of success of a joke, a note, or a dance, and the reality that you are naked before the audience, and have given them the right to judge the inner most parts of your being.

Musings on Tundra by Mare Hieronimus

I am trying to make sense out of the intersection of literature/narrative and dance. In the creation of Tundra, I started with a series of questions. What is it to be a woman in the world, alone?

Three Poems by Indran Amirthanayagam

Meditation Under the Tree I think of you at every moment of the day even if there are others in the world, other wars to fix. It is...

I wake up with you not beside me by Nathaniel Lachenmeyer

This poem is published as part of the Amplifying Disabled Voices special section, selected by editors Christopher Heuer, Marlena Chertock, and Gregory Luce. I wake...

Two Poems by Thu Anh Nguyen

My Mother Sizes Me You come to me shaking, cradling tissuein your palm so carefully that I didn’t recognizeyour softness, open to me for once....

The State of the Art: World Dance by Christel Stevens

Christel Stevens writes about challenges toward creation of professional World Dance performances, including funder preferences toward traditional concert dance styles, and the recent trend of combining European and 'World Dance' forms.

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