Between(triple haiku) I must grow leanerWith thought and age: from wine toWater, beef to broth. Between here and there,Should a man of decline choosePrayer over repair? When...

City Blocks(After ‘In Flanders Fields’ by John McCrae)In city blocks the missiles, bombs explode,families slaughtered in homes, on the road,in basement boltholes civilians still...

I didn’t feel any pressure to be good. I didn’t feel any pressure for the music to be good. I really didn’t care. Unfortunately maybe it’s cause the pendulum had swung back from this incredibly stressful experience.

The poems in this post are part of a special section, curated by Ori Z Soltes and Robert Bettmann, The Jewish Experience. Fire Cleansing Memory I...

When tragedy strikes we become sleuths. We reconstruct events to establish the belief that it should have been us, it could have been us, it was our fault or we caused their death somehow. The days pass into weeks, the weeks years until the memory fades and details dim.

Robert Bettmann reports what Artists need to know about copyright law, and fair use copyright law.

Crisis Economics in Three PartsI.Supply and demand. You have learned there are two things in supply and three in demand. You walk to the...

Fenwick Island I wish you were here,for you would understandhow the confident starscan move this nightto companionable pity,unwholesome as it is,how the imperishable seamasquerades its...

My work is better when I create on the spot, but the disadvantage is that I usually don’t remember the choreography after it’s been taught. This is sometimes frustrating for the dancers, but we work collaboratively, and I trust them to take responsibility for the material after it leaves my body.