Alison M. Friedman

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Seeing Red: A review of Sarah Kaufman’s review of Guangdong

Alison Friedman discusses why one modern Chinese dance performance does not represent China, or Chinese society, but does represent our shallow understanding of world dance.

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Two Poems by Faith Cotter

Beat An amniotic lake within meand you, floating then the deafening silence,static nothingness where I expected sound. For a week I am a shipwrecknot split open on rocky...

Two Poems by Ori Soltes

Late in the Game We sleep peacefully,side-by-side,except, by chance,when she or I turn outward, to the edgeof our plush and well-shaped bed. Never inward, it would...

Two Poems by Lisa Couturier

I Cannot Be Your Quiet All my years of blustery men and mewishing they’d stop whistling, cutting me off,tightening the tessitura of my voice.I never...
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