Dancer, Choreographer and Dance Educator Nejla Yatkin discusses tensions between commercial and concert dance, and how funding styles (American v. European) impact the development of work.
Last Supper in Baltimore
An impressive murder of crowsdoes not makenational headlinesnor does the murder of young TaiBlack, trans, beautifulin an alley just down Lafayette
above...
Gourd
In a sideboard shuttered away, I find it.Shake it.let it fill my palm—this brown surfacesmooth and firm.Who held it,carried it to this shore?I shake...
Big Sky
Big sky, how you fillwith hope mid-oceanmid-prairie, mid-uplands.Mountain tops recallferocious winds worthyof note.They sing the one notein the roof rack, the onewhistled tree...
