Dancer, Choreographer and Dance Educator Nejla Yatkin discusses tensions between commercial and concert dance, and how funding styles (American v. European) impact the development of work.
Winter Solstice
We drive in the darkpast the open fieldsinto the neighborhood:Millions of lights on the housesin the trees—the world a-twinkle with hopewhile overhead a...
Street Scene
Early evening heat rises frompavements, from cement and asphalt,carrying a scent slightly sour,slightly acrid—oily and tar-like.
Outside the café, beyond its fenced-intables, a large...
