Dancer, Choreographer and Dance Educator Nejla Yatkin discusses tensions between commercial and concert dance, and how funding styles (American v. European) impact the development of work.
art opening
instead of a gun
you use a camera
amputees
are your subject
/these poor people/ you say
the walls of the gallery are dark
prints pinned neatly under spotlight
//life...
LACUNA
Another sun unfurlsover chewing gumcanyons, long gnawedby your foothold.
A corpus colossus,hippocamping: you couchin fault lines, hammockedwhite matter.
Stroke mewith each toss-turn —a neuron-starved bender.
Hypoxia will...