Dancer, Choreographer and Dance Educator Nejla Yatkin discusses tensions between commercial and concert dance, and how funding styles (American v. European) impact the development of work.
The Picture
there was a manwaiting under the eavesat the bathhousewhen I walked byhis camera slung around his neckcounting on the silvery blueof the oceanand...
In the BeginningWe in Americawake to the horror,1200 dead, 200 abducted,Israel poised to destroyas God did to Sodom.We swear: “Never forget”or: “Free Palestine”or...
