Roudolf Kharatian discusses the source and core of Ballet as an art form, including how the physical and the spiritual combine in training and performance. Reprinted from Bourgeon Vol. 1 #1, July 2005.
"How do we know what time it is, and what it feels like to be in “no time” time, body time... How come when we’re pushing hard, we think we’re getting further?"
Immaculate Ruins
It begins with a stranger’s cautious agreementto get lost for a while in the ruins of you, playing
sentinel from the love seat’s worn...