Washington Project for the Arts

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Windows by Damon Arhos

One of my earliest memories is of a dense thunderstorm in my hometown of Austin, Texas. Recalling that memory motivated me to try treating...

The Ungrounded Course by Sylvie van Helden

A year ago I quit my job as a full time art teacher to focus more on being an artist. I had been working as...

Due Process by Michael Fischerkeller

Taking from others has a bad reputation, but I believe in appropriation, and use it as a central element in building my compositions. Appropriating...

Piecing it Together at the Woodworkers Club by Ellen Hill

Right now I’m working on two-dimensional paintings that combine panels or multiple pieces of painted and carved wood. The paintings are developed through a...

Panel Discussion on Visual Arts Criticism

Here are some notes from the Washington Project for the Arts panel discussion: Running for Cover(age), which proceeded from an expose on Washington's isolated artists. (Image by Jessica Yang from the Art in America coverage of the event.)

Must-read

The Reflection Terrace at Brookside Gardens by Abigail Mills

The Reflection Terrace at Brookside Gardens I am still water I take on the color of thehedge-pine greens thegeese-moss browns thetortoise-rock grays theazalea-breeze pinks thebride-haze whites...

Time Is Plastic by Jay Ulfelder

TIME IS PLASTIC Time is plastic, but not like Lego—more like taffy. Toss whole seconds aside, or ..stretch.one. . . . out. Francesca and I...

Two Poems by Sid Gold

POULTICEWhen you have looked elsewherefor answers—the spider’s web,the empty hive, the rotted log,beneath the unturned stone—ask yourself what you haveneglected. Do not lamentthat what...
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