Rob Bettmann

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Meisha Bosma on ‘Shelter’

My work is better when I create on the spot, but the disadvantage is that I usually don’t remember the choreography after it’s been taught. This is sometimes frustrating for the dancers, but we work collaboratively, and I trust them to take responsibility for the material after it leaves my body.

Sharing Balance in Contact Improvisation by Ken Manheimer

Dancer and dance teacher Ken Manheimer shares his thoughts and understanding about the dance technique Contact Improvisation

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Time Is Plastic by Jay Ulfelder

TIME IS PLASTIC Time is plastic, but not like Lego—more like taffy. Toss whole seconds aside, or ..stretch.one. . . . out. Francesca and I...

Two Poems by Sid Gold

POULTICEWhen you have looked elsewherefor answers—the spider’s web,the empty hive, the rotted log,beneath the unturned stone—ask yourself what you haveneglected. Do not lamentthat what...

Violin Plays by Adele Brown

Violin Plays She holds on tight to bow and strings, yet,it is her body, curving and rounding,on inner caverns that gives musicits beginnings:  Soaked in...
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