Oppression, according to Brazilian theater director and political activist Augusto Boal, happens when one person is dominated by the monologue of another and has no opportunities to reply, dialogue, or interfere in the change of an event.
Theater artist Anne Veal writes about the creative process of writing and producing La Rinascita Theatre's new adaptation of Oresteia, which opens February 10th, 2010 at the Capital Hill Arts Workshop.
Alison Friedman discusses why one modern Chinese dance performance does not represent China, or Chinese society, but does represent our shallow understanding of world dance.
The Artistic Director of the Baltimore Ballet writes about the preparations for his company's performance of "Scheherazade", one of the great classical ballets.
There is in the Water
What happened here the history I mean thismean thing there right there the bridgewhere they were lynched and who elsewas there and this is always here Ito make them mean something and howcan inanimate objects say...
occupier artclasswindow is crackedopen to let fresh air in. outsidesunny schoolyard under
lovely cloudless sky,the kind of blue beggingto be licked and torn asunderby hungry...
