Oppression, according to Brazilian theater director and political activist Augusto Boal, happens when one person is dominated by the monologue of another and has no opportunities to reply, dialogue, or interfere in the change of an event.
Theater artist Anne Veal writes about the creative process of writing and producing La Rinascita Theatre's new adaptation of Oresteia, which opens February 10th, 2010 at the Capital Hill Arts Workshop.
Alison Friedman discusses why one modern Chinese dance performance does not represent China, or Chinese society, but does represent our shallow understanding of world dance.
The Artistic Director of the Baltimore Ballet writes about the preparations for his company's performance of "Scheherazade", one of the great classical ballets.
Resilience
Even the “R” has curvesbends to the groundreboundsjoins the othersto lead the wayon its thin legs
The Jade Belt
I feel the scales form.First behind my...
When Horowitzfor my brother
When Horowitz played Carnegie for war bondsyou were an ovumswimming through the ovary,a pearl among the roe.Scraps of cloudstruck sharps and...