It seems that most teachers tell you what you need to know. But do we all need the same thing? Sure, you are more marketable with certain strengths. Do we all have the same best road toward those strengths?

Roudolf Kharatian discusses the source and core of Ballet as an art form, including how the physical and the spiritual combine in training and performance. Reprinted from Bourgeon Vol. 1 #1, July 2005.

Maida Withers, founder of the DC Improvisation Festival writes about the festival's past, and present, and shares a video with excerpts from the recent performances.

"Michael Bjerknes, a former Washington Ballet dancer and ballet master and co-founder of the American Dance Institute in Rockville, died April 14 of colon cancer at the Washington Home and Community Hospice. He was 51. After Mr. Bjerknes stopped dancing, he became a teacher and ballet master at the Washington Ballet and the Universal Ballet in Seoul. He was an influential creative force in the Washington area for the past two decades.

A quote from an article in The Guardian (UK) about the absence of Black Women in the ballet world

Local dance history interviews with Sue Green, Alvin Mayes, Barbara Drazin, and Michelle Ava

Rima Faber writes about Pola Nirenska, one of the founders of the dance community in Washington, D.C.

My music frequently functions like chamber music. But my music is often amplified, so while it is ‘classical’, it is also electronic.

Video interviews of local dance history: recollections from Judith Judson and Marcia Freeman

Choreographer, Dancer, and Teacher Gesel Mason considers the purpose of a college dance degree for aspiring dancers - learning to master Fear.