Elizabeth Johnson discusses increasing collaboration and friendliness in the local dance scene.

Maida Withers writes about the creation of her new evening-length show "Thresholds Crossed", a multi-media performance that includes performers from Russia and the United States.

Unlike a writer - who works alone until ‘ready’ for the editor - choreographers most frequently do not choreograph without another body, a human subject. Ideas are being observed and evaluated by your dancers, in front of your own public as it were, even as they are being created.

"Our popular culture, and even our art, is increasingly spoon-feed to us...The upsetting of expectation is too often obvious, creating too immediately its own expectations.."

Daniel Singh writes about why he makes dances, and the kind of dance he's working to make.

Choreographer Vincent Thomas writes about the development of his new evening-length work, "The Grandmother Project."

As the funeral procession passed the red brick home on the way to the Salem Cemetery, the child, standing and watching from the porch,...

"How do we know what time it is, and what it feels like to be in “no time” time, body time... How come when we’re pushing hard, we think we’re getting further?"

Chris Elam writes about his dance company - Misnomer - and their new work: Toes of a Snail, inspired by his time in Cuba.