A thought from Virginia Woolf about the limitations of an individual to speak un-biased about questions of sex.

Judith Hanna considers why the press has focused on screen-writer Diablo Cody's prior profession, and how being a stripper may have positively influenced her current work.

Roudolf Kharatian discusses the source and core of Ballet as an art form, including how the physical and the spiritual combine in training and performance. Reprinted from Bourgeon Vol. 1 #1, July 2005.

Local dance history interviews with Sue Green, Alvin Mayes, Barbara Drazin, and Michelle Ava

Rima Faber writes about Pola Nirenska, one of the founders of the dance community in Washington, D.C.

I began by writing my own set of directions. I created my directions with timed free-writings, in an attempt to take my brain to the same place it goes when I do movement improvisation.

Video interviews of local dance history: recollections from Judith Judson and Marcia Freeman

Choreographer, Dancer, and Teacher Gesel Mason considers the purpose of a college dance degree for aspiring dancers - learning to master Fear.

In a cabaret I am myself. There is the dangerous expectation of success of a joke, a note, or a dance, and the reality that you are naked before the audience, and have given them the right to judge the inner most parts of your being.

In many ways, we truly don't want to define Jazz dance; we want to live it, to feel it, to move with it.