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Three Poems by Heather Bruce Satrom

Three Poems Written North of Baltimore

Floating in the North Branch of the Patapsco River on an Afternoon in May

It wasn’t even June when the heat descended
On fields and farms of Carroll County.
Your suggestion to swim
In the north branch of the Patapsco River
Struck me as absurdly
Delicious.

First, though:
A thousand thoughts
Of propriety and rules and
Appropriate attire
And the risk of you, seeing me,
Clearly
Clumsily
Climbing down a riverbank,
Scrambling across rocks,
In my pale winter skin.

A thousand more thoughts of
I barely even know you
And how will I look and what will you think and
All the reasons not to climb down
The bank beneath the bridge,
Not to feel beneath my feet
Cold hard rocks surrendering
To river bottom muck,
The sudden silver of minnows,
The slant of summer sun,
A thousand reasons
Not to feel the shock of the river
Cold against my belly,
Not to permit the pleasure
Of the pull of your arms
The pull of the current
Not to watch you
Dip your head beneath the water,
Come back up for air,
Breathing in the scent of the river
The scent of the grass
The scent of me
A thousand reasons
Not to float in the river
As the cars pass above us
And the insects hum
And I breathe in
The aliveness of you
The aliveness of me
In the north branch of the Patapsco River
On a late afternoon in May,
Forgetting a thousand reasons not to say
Yes.

Full Moon Meditation After Bluegrass at Butler Cabin

The original plan was a bluegrass jam,
Then a full moon meditation
After your band played at Butler Cabin
On a late spring evening in Cockeysville.

Some Old Crow Medicine Show,
Johnny Cash and Patsy Cline,
Banjo, bass, and Bohemian beers,
Rock me baby and a ring of fire.

It was a full moon night outside Butler Cabin.
Then a sudden shift from hot to cold,
Abrupt gust of wind,
Rain plan on the fly —

We ducked inside.
And the pizza was served
And the beers were drunk
And the songs were sung

And then there was just you and me
And our original plan
To meditate under the full moon
After bluegrass at Butler Cabin.

I had every intention of sitting
Beneath the moon
Breathin’ in, breathin’ out,*
You leading me, in a full moon meditation.

I had every intention of returning
To Good Contrivance,
To finish my writing, to finish my work,
Breathin’ in, breathin’ out,

But you led me instead
Down some winding roads
To Harford County,
To your farm, to your bed,

And I was breathin’ in, breathin’ out.
After bluegrass at Butler Cabin.
I suppose you could say
You did lead me in a full moon meditation.

(*with gratitude to Noah Kahan and his song “Northern Attitude”)

Magnolia Sunrise at Little Deer Creek

You were still sleeping
When the sun rose
Beyond the magnolia
As I lay beside you
Gazing out the window
On the valley of Little Deer Creek.

The world at first submersed
In blues and greys
Then greening before me
Dark branches leafing,
Soft hills emerging,
Vesper sparrows singing,
Your breathing slow and deep.

Stretching beneath
The weight of your arm
The length of your legs
I saw the hills and fields
Beyond the magnolia
Gently made clear,
Your eyes opening
As the world was bathed in light.

Heather Bruce Satrom teaches English Language Learners at Montgomery College. A believer in the healing power of storytelling, Heather integrates oral history and storytelling into her teaching. She also writes poetry and creative nonfiction. Her work has appeared in Maryland Literary ReviewWWPH Writes, the literary journal of the Washington Writers’ Publishing House, and some other publications. Heather can be reached at @heatherbrucesatrom on Instagram.

Image: DavetheMage, CC BY 3.0 https://creativecommons.org/licenses/by/3.0, via Wikimedia Commons

Two Poems by L Lois

The Picture

there was a man
waiting under the eaves
at the bathhouse
when I walked by
his camera slung around his neck
counting on the silvery blue
of the ocean
and the granite shades of low clouds
relenting
to the majesty
of the sun slipping by
when it finishes its arc
and comes out briefly to the west
past the rain
golden with rich goodbyes

Right There, on the Purply-Blue

the plump, round bumble bee
with two yellow racing stripes
sets down on the hyacinth
drunk to a stupor
I suddenly realize
what it is I should
most want to be

L. Lois lives in an urban hermitage where trauma-informed themes flow during walks by the ocean. She is pivoting through her grandmother-era, figuring out why her bevy of adult children don’t have babies, nor time. Her poems have appeared in Progenitor Journal, In Parentheses, Woodland Pattern and Twisted Vine.

Image: Fir0002, GFDL 1.2 http://www.gnu.org/licenses/old-licenses/fdl-1.2.html, via Wikimedia Commons

Two Poems by Don Krieger

In the Beginning

We in America
wake to the horror,
1200 dead, 200 abducted,
Israel poised to destroy
as God did to Sodom.

We swear: “Never forget”
or: “Free Palestine”
or some other such meme of the moment

Babel
the towers at city center in flames
smoke and harbor stench
billowing silver in the sun,

and so it goes on and on.

We care as we watch on TV
but we live in an orchard,

figs and cedar, fresh bread and warm shade,
clean work and time stretching
to the evening cool.

The innocents and righteous
of Israel and Gaza
may as well have died

with Lot’s nameless wife,
killed by God for caring
because He never did
even for his own,
so why should we?

We in America
may as well have lived

as imbeciles in Eden
where knowledge was forbidden
when hate and humanity
were new.


Our President’s Prayer

If I slave each host
to her fetus

yet separate migrant mothers
from their kids;

if I name queer love
Abomination

all, that our nation
shall live
Your holy Word;

if I am a fraud, a pervert,
graceless, for sale,
and a vicious coward;

am I not just a sinner
doing Your holy work?

Am I not, though human,
just like You?

Don Krieger is a poet, an essayist, and a biomedical researcher whose focus is the electric activity within the brain. He is author of the hybrid collections “Discovery” (Cyberwit, 2020) and “When Danger Is Past, Who Remembers?” (Milk and Cake Press, 2022), and a Creative Nonfiction Foundation Science-as-Story Fellow. His poetry has appeared in Seneca Review, The Asahi Shimbun, Beltway Quarterly, American Journal of Nursing, and others. His essays have appeared in The Pittsburgh Post-Gazette, The Times of Israel, and others. His poetry has been translated into Farsi, Greek, Italian, German, Turkish, Romanian, and Portuguese.

Featured Image: “Yearn” from JiaJia licensed under the Creative Commons Attribution 4.0 International license. “The eye of a yak in DaQingShan Wildlife Park in Hohhot, China, reflects the bars of its enclosure.”

Two Poems by Allan Ebert

Happy Birthday, Old Man!

Every birthday I weigh less.

I’m down to the last hole on my belt.

There’s more hair in the clothes dryer,

than on my head.

If I hold my sharp elbows steady

on the table, line up my better eye,

& peek through the doughnut hole

I see the person I’ve become,

so small I can sleep on your tongue.


 

Tending The Rules of Affection

It’s that time again when my white cat Penelope stretches out
twice her length on the cerulean blue sofa without a hint of purpose

& ignores all entreaties for affection, licking one curled paw
after the other, undisturbed in her lazy repose until dinner,

or a suitable time in the late afternoon when the fins of the sun,
warming her like a towel from the dryer, begin their ritual

climb up the wall, retreating across the ceiling to the horizon to bed
for the night, leaving her purring in the room painted lavender and teal.

Her milky twilight aura twins the moon’s corona. Was I wrong
to interrupt her? Gently smooth her silky back hairs from ear to tail,

only to fall victim to claws ejecting faster than a snapping mouse trap
followed by crimson scratches etched like a road map across the back

of my hand. A good lesson learned. If only she were the solicitous way
of my golden retriever, Malakai, who happens to be mahogany not golden.

She’d have a virtuous spunk, a protective function, a playful nature panting,
forever panting. But would I if I could exchange Penelope’s bold aloofness,

her endearing rubs against my neck, her scrambling after a stupid fish
on a string, for anything? Malakai barks at his own shadow, drools

on the bed, and tries to hump my neighbor’s leg. What to make of all of this?
The rumbly snore of an obedient dog? The rippling purr of an independent cat?

By 10 pm my Hulu binge is five episodes deep. Absolutely the best time
for another cup of hot tea with lemon or honey, undecided, who’s the most adorable.

Allan Ebert writes:I was published in numerous online and print journals in 2023-2024 including, Samfftyfour; Ariel Chart, Winged Penny Review, The Bluebird Word, and Bourgeon. I have five poems forthcoming in The Academy Of The Heart. My poem, A Pretty Room For My Books, was published in the Mid-Atlantic Review (inaugural issue) and nominated for a 2023 Pushcart Prize. I write what falls on my noggin (a cancer-surviving boomer) revise, revise, and feel happiest when writing, published or not (although being published is nice!). My motto is based on a quote from James Baldwin: “You want to write a sentence as clean as the bone. That is the goal.”

Image: Isoda Koryūsai, Public domain, via Wikimedia Commons

Three Poems by Michael Gushue

Turning Elegy

Leaving is all we have.
It’s your not being here speaking.

Leaving the door ajar, the table
swept—turning into something less

than comfort. What did you have?
Birch is a furious tinder,

burning hot and fast—
we washed our faces with your ash.

Among pine and hemlock—
its white bark shines like

pain or loss—the supple trunk
a white pillar, tree skin—

and its heartwood—
the dark red of cloves.

Turning, I saw it and
my breath stopped.


The Purse

Mother is upstream. She brings me a surprise. The surprise is a purse.

She has the eyes of a flooded river. She steps on small white buttons. She is zippers and clasps.

There is a canal in the center of our house, hidden between two closets. In one closet, bookshelves. In the other, a fortress of hatboxes. This is the scarlet thread.

Mother presses money into my hand like the point of a knife. She fastens a leash of foxes around her neck. On her vanity are powders in canisters, liquids in glass vessels. Mirrors.

She opens her purse. Past its mouth, the insides are crowded with the viscera of a purse. Bobby pins. Needles. A perfume counter of invisible salt. The wooden teeth of escalators and combs. Ceilings. Slain hens in wood cages. Red clay.

When she goes into her purse, I think she will not come back. It is a burning star. It is a mannequin of wire and cotton.

She disappears into a large pale building again. It unclasps to accept her. I was born in that building, across from a cemetery.


I Have The Answers To The Thing From Another World

About Things from another world they were
never wrong, the old filmmakers, how well

they understood the need for a good siege,
camaraderie and fast-paced dialogue,

how to get it all going with a compass
that goes awry, a radio on the blink,

and men fanning out on the polar ice,
arms spread to outline the buried flying saucer.

The eight-foot frozen alien will prove
the smartest space rutabaga ever seen—

sap for blood, thorned knuckles, it re-grows
torn-off limbs, raises an army from spores.

Unlike soldiers, women know vegetables:
you don’t defeat a carrot, you cook it.

A Geiger counter’s tick builds suspense
then a Nobel prize winner too smart

to spot the danger tries to reason
with a potato intent on drinking

men’s blood and taking over the world.
After the thing’s reduced to ash, we’re left

with knowing how easy our displacement
is, how close our obsolescence might be.

Welcome to the ninety-fifties, where fear,
not science, unites us, where thinking

and knowledge open the door to arctic
chills; atomic blasts; sexless, emotionless

Things from foreign worlds. Keep watching the skies!
The slight-of-hand of nothing up the sleeve:

another way of saying pay no attention
to the little man behind the curtain.

Michael Gushue’s books are Sympathy for the Monster, Gather Down Women, Pachinko Mouth, Conrad, The Judy Poems with CL Bledsoe, I Never Promised You A Sea Monkey with CL Bledsoe, and, forthcoming, in collaboration with Kim Roberts, Q&A For The End Of The World.

Feature Image: Bonfire in Another World from Maurits Verbiest from The Hague, The Netherlands, licensed under the Creative Commons Attribution 2.0 Generic license.