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Two Poems by Beth Konkoski

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Linger

We could perch on the details

of this near end.  How I

have worn you

as my skin for decades,

let every sense curve

toward a blossom

or fruit of your choice.

Burning any fringe

or edge you don’t like,

I beg to fit in your chosen

mold, to slide like a wedge

of orange between your teeth.

Steps without you

are shards or ribbons,

weeds, cardboard boxes

thrown in my path.

And I have forgotten

the muscles used for lifting.

Originally published in Pamplemousse 2016 and forthcoming in Water Shedding from Finishing Line Press

Watching Laziness

Pablo Neruda says

high up in the pines

laziness appears naked.

So we go outside

to gawk, our hair

in oily strands needing

a wash, and wonder

how she climbed

to where she sways

in the wind.

When did she undress,

this arboreal

debutante of sloth?

Has she always been

without covering,

born high in the trees

to look down

as we plod along and fail

to hear the bristly

symphony of pine needles?

We would join her

if we could manage

the climb, or hang

safely once we arrived.

Instead we sit

watching her freedom,

humbled by the intensity

that true

laziness requires.

Originally published in The Potomac Review in 2010 and forthcoming in Water Shedding from Finishing Line Press

Beth Konkoski is a writer and high school English teacher living in Northern Virginia with her husband and two children.  Her work has been published in journals such as: The Potomac Review, Saranac Review, and Gargoyle. Her chapbook “Noticing the Splash” was published in 2010 by BoneWorld Press and a second chapbook, “Water Shedding,” is forthcoming from Finishing Line Press.

Image: Pine Trees (Shōrin-zu byōbu) by Hasegawa Tohaku [public domain].

Two Poems by Sally Toner

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Lady Liberty Finds Sand Dollars in Coronado

I pay no attention to lovers twined

around each other like ropes on

sailboat masts.  My eyes avoid their

youth, fixed instead on

the afternoon horizon—the swath of

sand too wide at low tide. It covers

disks of purple buried under ripples of

ground-up diamonds and fool’s gold.

I thought they were nettles at first.

Those are the ones I step on at home.

But these are natural money, some the color of

blueberries, some sunbleached if they happen

to land past the water’s border. I leave

the ones still detained by waves

alone, hoping their leaf shaped hearts still

beat, and their fuzzy bellies will push them back out.

Others I collect, trying my best not to crush

them in my granite hand.  It does resemble gathering

fruit, where berries sharing a bush can be different

ages, different phases of ripe.  I toss a few, reject them to

the dunes for decay. Perhaps some

blue-eyed child will scoop them

up and see this treasure worthy

of his stolen home.

MY Middle Age in Ocean Beach

The revolution is still alive

And inspires people of all

Ages to let loose and dance

Because everyone else is

Letting their freak flag

Fly, and I may as well

Wave mine with youthful

Pride, for there is still

Time to celebrate the

Party of life.

–the typewriter troubadour

I’ve never surfed, but I’ve boogied

on both coasts and in places between and

beyond.  So, since the adorable troubadour has

given me permission to let the “freak flag

fly,” I’ll stand on the pier and watch wave riding stunts

below while someone blows bubbles over

these hippies like the troubadour spit

wisdom from his keys.  That’s how I know that

we’re all riding tides, doing that impossible thing of

taking flight and floating

simultaneously.

We don’t waste our time on

the mushy swell that spends strength we’ll need on

the paddle back. 

That’s how I know this Pisces isn’t just

a fish.  I am the sea.

When I rage, and froth and fume,

respect me from a distance, but please

don’t go away.  I need you there

to tell me I’m still beautiful, even

when I’m mad.  Because there will be

mornings when I’m glass reflecting

blue—fathoms to

the bottom where my thoughts are

conchs, sand dollars, starfish, unbroken and

waiting.  On balance, I give

life so much more than

I take away.




Sally Toner is a High School English teacher who has lived in the Washington, D.C. area for over 20 years.  Her poetry, fiction, and non-fiction have appeared in Gargoyle Magazine, The Delmarva Review, Watershed Review, and other publications.  She lives in Reston, Virginia with her husband and two daughters.  Her first chapbook, Anansi and Friends, a mixed genre work focusing on diagnosis, treatment, and recovery from breast cancer, is forthcoming from Finishing Line Press in the summer of 2019.

Image: CC BY-SA 2.5, https://commons.wikimedia.org/w/index.php?curid=553056

Ads by Theo Luce

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Ads

“JOIN THE DMV! BUY OUR ORGANIC SALSA!”

Burning on filthy subway walls

Jerking back, muttering “it’s too bright,”

Train coming, train coming

A long silver bullet blasting through the blackness of the ancient tunnel

More ads inside

Then screaming, bolting up from the seat

Ignoring your unwilling audience as you run from the train

Through the toll-taker and up the escalator

Howling now, running down the sidewalks

Then home, into the bathroom

Lifting the lid and spilling waste from your stomach into the bowl

The bathroom lights observing and judging

What are they saying?

Then, a dark bedroom

The moon shining on the floor

Into bed, shuddering and moaning

Paroxysms of rage and frustration

Tearing at you from the inside

Sweating and gasping

Fingers tearing at you like knives

Shouting, howling, shrieking

Jerking and gyrating, covering your face

Then, they sting

Black and yellow, enormous eyes

THEY STING THEY STING THEY STING

THEY STING THEY STING THEY STING

THEY STING AND STING AND STING

But he doesn’t.

He bites.

And they don’t sting anymore.

This is Theo Luce’s first published poem.

Two Poems by Susan Meehan

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Goddesses Incognito

Underneath

the drab,

the daily,

we are passionate goddesses parading in

spangles

glinting jewels

shimmering cloth

that mirror our enticing hips.

Underneath ragged watchcaps,

we are tender goddesses

crowned in

headwraps

tiaras

mantillas

bandanas

that accentuate our nobility.

Underneath blowsy t-shirts,

blazing ads in giant orange letters scrawled across our chests,

we are opulent goddesses wrapped in a splendor of

plaids

kente

batik —

rich in colors that males

don’t even know the names

much less the significance of.

Behind plastic face masks that claim to guard us from infection,

we are amusing goddesses

roaring out the music of joy

harmonies of silver giggles

cymbal crashes of belly laughs

organ peal guffaws

in happy certainty of our right to

pleasure given,

pleasure taken.

We are hidden where you expect us least.

Show us due homage

and we may flash you a glimpse

into our hidden realm.

Or we may not.

The unexpected entices goddesses

most of all.

 

Map

My hand

gripped into yours

seeks a pathway to your heart

searches through the veiny runs

joys intermingling at the rip

fourth finger-traced.

 

Susan Meehan is the author of Talking to the Night (2017), and Goddesses Incognito (2018), and was the winner of the DC Poet Project in 2017, an open competition created to surface new poetic voices. Poetry is Susan’s second, or third career. She recently completed a career in local government service, first as Mayor Marion Barry’s constituent service director for Ward Two and subsequently as D.C.’s first Patient Advocate, providing services to the city’s drug and alcohol addicts. Now retired, she remains active in local politics with her husband of more than fifty years.

Image of Proserpine by Dante Gabriel Rossetti – EAH009jkJzYVMw at Google Cultural Institute, zoom level maximum Tate Images (http://www.tate-images.com/results.asp?image=N05064&wwwflag=3&imagepos=1), Public Domain, https://commons.wikimedia.org/w/index.php?curid=13458627

Two Poems by John Johnson

My Ancestors

My ancestors picked cotton

Worked hard stacked brick by brick

The old say the young

Just scroll the mouse

Facebook Instagram and click

They call them the instant

Microwave generation

Smoke some marijuana

Now on high school graduation

No job dedication

But hand eye coordination

Quick on that Playstation

I, ME, ME

I can’t wait for the

iPhone, new Playstation, Wii

My ancestors just wanted to be free

Free like

Your night and weekend cell phone plan

Got welts on their back for being African

When they wanted to be treated like a MAN!

Now we drown our sorrow in beer from

Big K liquor store

Because we know we came here on a boat

We aint get no ticket for.

 

My Man DC

My man DC would say stuff like

“Life is like a university with no walls”

“Now fellas, lets go get these drawers”

My man DC

My man DC just turned 21

Nickname was Blackjack

Finally got his GED

In high school

Wasn’t fond of class or backpack

Skin was darker than burnt toast

IQ smarter than Mos

He lived East of the River

Hangs out with his friends

VA and PG

They met over the internet

Playing “Call of Duty”

On plazma screen TV

When DC was younger

He knew “What was going on

He listened to Marvin Gaye

2015 legalized weed

And it’s perfectly fine now that Marvin’s gay

DC used to sit and listen

Belly full of chocolate

Running down Good Hope

Hanging round Ainger

2015 finally got a sit-down restaurant

Where he can eat some breakfast

DC is serving more Vanna Whites and less

Kiki Shepards

DC fell in love with her diamond-like features

And the curves on her 8 wards

But like every relationship things get bumpy

Like roads before street cars

DC’s girl would start beefing

DC would go vegan

He never called her female dog

Like veterinarian

Although deep down inside11

He was redder than Nats’ caps

His heart was broken like iPhone screens

But he played it like it was cool

Cooler than January and February

My man DC.

John Johnson is a poet, playwright, native Washingtonian and the 2018 winner of the DC Project, an open-to-all poetry competition. Johnson is the founder of Verbal Gymnastics Theater Company, and holds a B.A. in Theater from the University of the District of Columbia. He has received three artist fellowships from the DC Commission on the Arts, and other honors include participation in “Anacostia Unmapped,” a radio project with American University’s WAMU, in conjunction with the Association of Independent Radio, which captures the narrative of residents in rapidly changing communnities.

Image of DC boundary stone by Ben Schumin – Own work, CC BY-SA 2.5, https://commons.wikimedia.org/w/index.php?curid=2008404