Alison Friedman discusses why one modern Chinese dance performance does not represent China, or Chinese society, but does represent our shallow understanding of world dance.
Katrina Toews, Director of the Washington Ballet's program at THEARC writes about creating a real ballet training program within what has been an "outreach" community.
Jonathan Carrington, Executive Director of Dissonance Dance Theater, writes about the problems of white teachers bringing traditionally white dance forms to minority communities.
21st Century American Birthday
You know you’ve made itas a consumer and a modern Americanwhen the bulk of your birthday texts and emailsare automated.
Happy birthday...
Sunday Best
he blows dandelions for his babies in the corner store parking lotin their Sunday best, following this morning's sermontheir wishes scatter across the...