Alison Friedman discusses why one modern Chinese dance performance does not represent China, or Chinese society, but does represent our shallow understanding of world dance.
Katrina Toews, Director of the Washington Ballet's program at THEARC writes about creating a real ballet training program within what has been an "outreach" community.
Jonathan Carrington, Executive Director of Dissonance Dance Theater, writes about the problems of white teachers bringing traditionally white dance forms to minority communities.
Big Sky
Big sky, how you fillwith hope mid-oceanmid-prairie, mid-uplands.Mountain tops recallferocious winds worthyof note.They sing the one notein the roof rack, the onewhistled tree...
A Heart-Shaped Amulet
Gazing upon the houses and fields of my kingdomI can see my grandmother outside a cottage –around her neck a heart-shaped amulet.Behind...
How Soon Is Now?
Christmassomewhere in Dixie
a young mothernurses her baby
listening to anythingbut The Smiths
while geekstry to figure out
her nameher location
Students shotthe footage
yet thered hat
that...