Alison Friedman discusses why one modern Chinese dance performance does not represent China, or Chinese society, but does represent our shallow understanding of world dance.
Katrina Toews, Director of the Washington Ballet's program at THEARC writes about creating a real ballet training program within what has been an "outreach" community.
Jonathan Carrington, Executive Director of Dissonance Dance Theater, writes about the problems of white teachers bringing traditionally white dance forms to minority communities.
Folklore
Y’all heard the one where the Africans flewoff the plantation?
Ever bed-and-breakfast at Chesapeake Bay, ghostwalk Greenbriar Swamp to hear tale of “Big Liz,”the “heavyset”...
Modern Prometheus
“I doubted at first whether I should attempt the creation of a being like myself, or one of simpler organization; but my imagination...
Plyzhnik’s Farewell
When a kiss is more than goodbyeto coffee and the office morningthe tender parting of husband and wife,when the cell that awaits youcalls...
