Alison Friedman discusses why one modern Chinese dance performance does not represent China, or Chinese society, but does represent our shallow understanding of world dance.
Katrina Toews, Director of the Washington Ballet's program at THEARC writes about creating a real ballet training program within what has been an "outreach" community.
Jonathan Carrington, Executive Director of Dissonance Dance Theater, writes about the problems of white teachers bringing traditionally white dance forms to minority communities.
The Reflection Terrace at Brookside Gardens
I am still water
I take on the color of thehedge-pine greens thegeese-moss browns thetortoise-rock grays theazalea-breeze pinks thebride-haze whites...
POULTICEWhen you have looked elsewherefor answers—the spider’s web,the empty hive, the rotted log,beneath the unturned stone—ask yourself what you haveneglected. Do not lamentthat what...
