Alison Friedman discusses why one modern Chinese dance performance does not represent China, or Chinese society, but does represent our shallow understanding of world dance.
Katrina Toews, Director of the Washington Ballet's program at THEARC writes about creating a real ballet training program within what has been an "outreach" community.
Jonathan Carrington, Executive Director of Dissonance Dance Theater, writes about the problems of white teachers bringing traditionally white dance forms to minority communities.
This poem is part of the special section, New Poems of U.S. History, reflecting on the 250th anniversary of the Declaration of Independence selected...
This poem is part of the special section, New Poems of U.S. History, reflecting on the 250th anniversary of the Declaration of Independence selected...
This poem is part of the special section, New Poems of U.S. History, reflecting on the 250th anniversary of the Declaration of Independence selected...