Alison Friedman discusses why one modern Chinese dance performance does not represent China, or Chinese society, but does represent our shallow understanding of world dance.
Katrina Toews, Director of the Washington Ballet's program at THEARC writes about creating a real ballet training program within what has been an "outreach" community.
Jonathan Carrington, Executive Director of Dissonance Dance Theater, writes about the problems of white teachers bringing traditionally white dance forms to minority communities.
Odds
Miracles happen: I believe this,breast bared and danglingdown through a table designedfor radiation treatment.The techs push and pull me into position,marks on my body...
There is in the Water
What happened here the history I mean thismean thing there right there the bridgewhere they were lynched and who elsewas there and this is always here Ito make them mean something and howcan inanimate objects say...
