Alison Friedman discusses why one modern Chinese dance performance does not represent China, or Chinese society, but does represent our shallow understanding of world dance.
Katrina Toews, Director of the Washington Ballet's program at THEARC writes about creating a real ballet training program within what has been an "outreach" community.
Jonathan Carrington, Executive Director of Dissonance Dance Theater, writes about the problems of white teachers bringing traditionally white dance forms to minority communities.
A SIMPLE MACHINEThe noose that was used to hang John Brown is allegedly in the permanent collection at the Massachusetts Historical Society.
Frayed and wild...
The following poem was translated from Zarpamos, a selection ofpoems by the Oaxacan poet Guadalupe Ángela, translated from Spanishinto English by Yael Kiken. This...
