Not long ago, saying that an artist had a production line in their studio was considered an insult. Now a production line is a proud way of life for some artists, and the new book by Michael Petry explores.

DC Artist Prudence Bonds discusses the good and bad of being a self taught artist.

Cindy Coldiron writes about her new public art commission, and some of the concerns specific to working with recycled glass.

Cheryl Palonis Adams explains Laban Movement Analysis so that you can understand it, and aren't bored.

Last week Isadora Duncan (May 26, 1877 – September 14, 1927) would have celebrated her 138th birthday.

Camerin Allgood McKinnon explains some of the roots and process of the modern dance technique "Safety Release".

David Koteen writes about the 10 year process of creating the book Caught Falling, including excerpts from the book documenting the development of the dance form Contact Improvisation.

"I'm an aspiring storyteller, I guess. But I've realized more and more that you don't have to have very many ingredients to imply that there's a story, without actually telling it."

"Middle Eastern dance schools play upon harem-mother-goddess fantasies of adult students. One has to give credit for business savvy, but what is being sacrificed in terms of art and ethics? In a bid to take over the local market, unskilled student dancers have been sent out on behalf of the studio to perform for fees that are either shockingly below the going rate or, which is worse, free."

Valerie Durham describes essential aspects of the Isador Duncan technique, including historical concerns relating to the study of the technique.