Camerin Allgood McKinnon explains some of the roots and process of the modern dance technique "Safety Release".

David Koteen writes about the 10 year process of creating the book Caught Falling, including excerpts from the book documenting the development of the dance form Contact Improvisation.

Artistic Director of the Baltimore Ballet writes about what students need from teachers.

"Creating this work is a multi-year research project into water, and its various meanings – personal, ecological, societal and political. It is also a lens to explore composition: how meaning is affected by shifting structure and its context."

Mary Saludares, a gifted young member of Washington D.C.'s dance community, died on February 20th, 2009. She was 20 years old. She passed after being struck by a car while on tour in Baltimore as a member of the Washington Ballet Studio Company.

Having recently relocated with her partner from Ohio, Susana Weingarten writes about the creation of DanceVert's first concert in the D.C. area.

My creative process is first and foremost about listening. On one level, it is listening to myself. On another level, it is listening for a match between what I feel compelled or inspired to say, and what I see in the world around me.

"I'm an aspiring storyteller, I guess. But I've realized more and more that you don't have to have very many ingredients to imply that there's a story, without actually telling it."

I am celebrating my thirtieth anniversary in the area by doing some of the things I love most: making dances, working with artists, and singing.

A few years ago I was asked by a non-profit organization to dance Isadora Duncan's Marseillaise at one of their events. The problem was that The Marseillaise is a lost choreography! There are no pictures or video from performance.