Theater artist Anne Veal writes about the creative process of writing and producing La Rinascita Theatre's new adaptation of Oresteia, which opens February 10th, 2010 at the Capital Hill Arts Workshop.

"Archival policies for the field need to be developed, both to ensure preservation and performance of important works, and to encourage the necessary funding mechanisms."

"Why didn't you give my child anything to dance?" she hissed, "there was not one dance step in that role!"

Alison Friedman discusses why one modern Chinese dance performance does not represent China, or Chinese society, but does represent our shallow understanding of world dance.

Katrina Toews, Director of the Washington Ballet's program at THEARC writes about creating a real ballet training program within what has been an "outreach" community.

Jonathan Carrington, Executive Director of Dissonance Dance Theater, writes about the problems of white teachers bringing traditionally white dance forms to minority communities.

The Artistic Director of the Baltimore Ballet writes about the preparations for his company's performance of "Scheherazade", one of the great classical ballets.

Choreographer Laurel Victoria Gray discusses creation of her company's upcoming concert, and the tensions between traditional Indian dance and the new Bollywood styles.

Robert Bettmann reports what Artists need to know about copyright law, and fair use copyright law.

Cheryl Palonis Adams explains Laban Movement Analysis so that you can understand it, and aren't bored.