"Archival policies for the field need to be developed, both to ensure preservation and performance of important works, and to encourage the necessary funding mechanisms."
Alison Friedman discusses why one modern Chinese dance performance does not represent China, or Chinese society, but does represent our shallow understanding of world dance.
Katrina Toews, Director of the Washington Ballet's program at THEARC writes about creating a real ballet training program within what has been an "outreach" community.
Jonathan Carrington, Executive Director of Dissonance Dance Theater, writes about the problems of white teachers bringing traditionally white dance forms to minority communities.
The Artistic Director of the Baltimore Ballet writes about the preparations for his company's performance of "Scheherazade", one of the great classical ballets.
Choreographer Laurel Victoria Gray discusses creation of her company's upcoming concert, and the tensions between traditional Indian dance and the new Bollywood styles.
There is in the Water
What happened here the history I mean thismean thing there right there the bridgewhere they were lynched and who elsewas there and this is always here Ito make them mean something and howcan inanimate objects say...
occupier artclasswindow is crackedopen to let fresh air in. outsidesunny schoolyard under
lovely cloudless sky,the kind of blue beggingto be licked and torn asunderby hungry...
