"Archival policies for the field need to be developed, both to ensure preservation and performance of important works, and to encourage the necessary funding mechanisms."
Alison Friedman discusses why one modern Chinese dance performance does not represent China, or Chinese society, but does represent our shallow understanding of world dance.
Katrina Toews, Director of the Washington Ballet's program at THEARC writes about creating a real ballet training program within what has been an "outreach" community.
Jonathan Carrington, Executive Director of Dissonance Dance Theater, writes about the problems of white teachers bringing traditionally white dance forms to minority communities.
The Artistic Director of the Baltimore Ballet writes about the preparations for his company's performance of "Scheherazade", one of the great classical ballets.
Choreographer Laurel Victoria Gray discusses creation of her company's upcoming concert, and the tensions between traditional Indian dance and the new Bollywood styles.
art opening
instead of a gun
you use a camera
amputees
are your subject
/these poor people/ you say
the walls of the gallery are dark
prints pinned neatly under spotlight
//life...
LACUNA
Another sun unfurlsover chewing gumcanyons, long gnawedby your foothold.
A corpus colossus,hippocamping: you couchin fault lines, hammockedwhite matter.
Stroke mewith each toss-turn —a neuron-starved bender.
Hypoxia will...
