Curator Blair Murphy writes about the ways we work: Talk to ten different visual artists in the DC area and you're likely to hear about ten different working situations, from former auto body shops to corners of studio apartments.
Here are some notes from the Washington Project for the Arts panel discussion: Running for Cover(age), which proceeded from an expose on Washington's isolated artists. (Image by Jessica Yang from the Art in America coverage of the event.)
David Koteen writes about the 10 year process of creating the book Caught Falling, including excerpts from the book documenting the development of the dance form Contact Improvisation.
A Heart-Shaped Amulet
Gazing upon the houses and fields of my kingdomI can see my grandmother outside a cottage –around her neck a heart-shaped amulet.Behind...
How Soon Is Now?
Christmassomewhere in Dixie
a young mothernurses her baby
listening to anythingbut The Smiths
while geekstry to figure out
her nameher location
Students shotthe footage
yet thered hat
that...
Fenwick Island
I wish you were here,for you would understandhow the confident starscan move this nightto companionable pity,unwholesome as it is,how the imperishable seamasquerades its...