Curator Blair Murphy writes about the ways we work: Talk to ten different visual artists in the DC area and you're likely to hear about ten different working situations, from former auto body shops to corners of studio apartments.
Here are some notes from the Washington Project for the Arts panel discussion: Running for Cover(age), which proceeded from an expose on Washington's isolated artists. (Image by Jessica Yang from the Art in America coverage of the event.)
David Koteen writes about the 10 year process of creating the book Caught Falling, including excerpts from the book documenting the development of the dance form Contact Improvisation.
Winter Solstice
We drive in the darkpast the open fieldsinto the neighborhood:Millions of lights on the housesin the trees—the world a-twinkle with hopewhile overhead a...
Street Scene
Early evening heat rises frompavements, from cement and asphalt,carrying a scent slightly sour,slightly acrid—oily and tar-like.
Outside the café, beyond its fenced-intables, a large...