Curator Blair Murphy writes about the ways we work: Talk to ten different visual artists in the DC area and you're likely to hear about ten different working situations, from former auto body shops to corners of studio apartments.
Here are some notes from the Washington Project for the Arts panel discussion: Running for Cover(age), which proceeded from an expose on Washington's isolated artists. (Image by Jessica Yang from the Art in America coverage of the event.)
David Koteen writes about the 10 year process of creating the book Caught Falling, including excerpts from the book documenting the development of the dance form Contact Improvisation.
Cloth & Sun
Chaos greets me at the door—
broken things swirl,
dust motes through worn curtains,
a breath before the next bruise.
You coil like an old cobra,
fangs...
Loop
Goddamn those whippoorwills, we wanted
to shoot them, our history teacher said.
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He’d lived in the woodsiest neck of our district
since childhood. Of course we’d heard them
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too: In...
Tondo: Closing the CircleAfter Sam Gilliam’s Something is Going On!—2021
In a muddle of abstractiona face emerges—owl, cat, human—no certainty.Should I turn the canvas,straighten its...