Curator Blair Murphy writes about the ways we work: Talk to ten different visual artists in the DC area and you're likely to hear about ten different working situations, from former auto body shops to corners of studio apartments.
Here are some notes from the Washington Project for the Arts panel discussion: Running for Cover(age), which proceeded from an expose on Washington's isolated artists. (Image by Jessica Yang from the Art in America coverage of the event.)
David Koteen writes about the 10 year process of creating the book Caught Falling, including excerpts from the book documenting the development of the dance form Contact Improvisation.
FALLSTREETLIGHT SWITCH
The sodium-vapor streetlightswith fresnel lenses like lidded eyeshave been replacedwith horseshoe-like arcs of LED lights.As the morning stays dark longerand evening comes on...
Cloth & Sun
Chaos greets me at the door—
broken things swirl,
dust motes through worn curtains,
a breath before the next bruise.
You coil like an old cobra,
fangs...