Editor

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Bourgeon’s mission, through our online publication and community initiatives, is twofold: to increase participation in the arts and to improve access to the arts. Bourgeon is a project of the not-for-profit Day Eight.

Salvador Casco on the Emergence of Expression

Visual Artist talks about the inspiration for his creation, and teaching, and some of the roots for his creative process and life.

Cindy Coldiron on Creating Cast Recycled Glass Public Art

Cindy Coldiron writes about her new public art commission, and some of the concerns specific to working with recycled glass.

Cem Catbas on Creating Scheherazade for the Baltimore Ballet

The Artistic Director of the Baltimore Ballet writes about the preparations for his company's performance of "Scheherazade", one of the great classical ballets.

“Hooray for Bollywood!” by Laurel Victoria Gray

Choreographer Laurel Victoria Gray discusses creation of her company's upcoming concert, and the tensions between traditional Indian dance and the new Bollywood styles.

Jackie Hoysted on her Solo Show: Afternoons – Where Drawing Meets Painting

Jackie Hoystead writes about what she's been thinking about as she prepares for her upcoming one solo show at the Fisher Gallery: context matters.

Fair Use Copyright Law for Artists

Robert Bettmann reports what Artists need to know about copyright law, and fair use copyright law.

A (informal/unsophisticated) Conversation on Laban’s Efforts by Cheryl Palonis Adams

Cheryl Palonis Adams explains Laban Movement Analysis so that you can understand it, and aren't bored.

Isadora Duncan and Vaslav Nijinsky

Last week Isadora Duncan (May 26, 1877 – September 14, 1927) would have celebrated her 138th birthday.

Safety Release Technique by Camerin Allgood McKinnon

Camerin Allgood McKinnon explains some of the roots and process of the modern dance technique "Safety Release".

David Koteen on Caught Falling

David Koteen writes about the 10 year process of creating the book Caught Falling, including excerpts from the book documenting the development of the dance form Contact Improvisation.

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