Editor

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Bourgeon’s mission, through our online publication and community initiatives, is twofold: to increase participation in the arts and to improve access to the arts. Bourgeon is a project of the not-for-profit Day Eight.

The Horton Technique by Diana Dinerman

Diana Dinerman describes the modern dance Horton Technique.

Dear Ludwig, by Diana Dinerman

Arts writer and arts administrator Diana Dinerman replies to Loren Ludwig's Open Letter regarding ballet technique being "oppressive."

Open Reply to Loren Ludwig by Rob Bettmann

Rob Bettmann responsed to Loren Ludwig: "A poet could say that the English language is the language of oppression, the language of Columbus, Nixon, Bush, Rumsfeld and whatever that guys name is on Fox News. But you could equally say that English is the language of Audre Lorde, Nina Simone, and Bell Hooks."

An Open Letter to Rob Bettmann by Loren Ludwig

An open letter from musician, composer and music historian Loren Ludwig to Bourgeon editor Robert Bettmann asserting that "technique is ideology."

Ballet Technique by Michael Bjerknes

originally published in the Focus Section on Technique, Bourgeon Vol. 2 #3 Ballet dance, like all art forms, has a technique that supports and enables...

Method to the Madness: Weighing in on Hip Hop Technique by Aysha Upchurch

"Hip Hop is not just a trend or fad, or young people behaving badly. It is a cultural product of 1970’s urban history. It is not something that started in a studio or under a microscope. Hip Hop began as a counter culture. "

Introduction to Focus Section “Technique” by Brian Buck

Brian Buck's introduction to the Focus Section on Technique, originally published in Bourgeon Vol.2 #3

Cathy Elliot on Light Design for Dance

I was recently at an event where two women asked what I do as a dance lighting designer. I fumbled with my usual two-...

Maida Withers on “Thresholds Crossed”

Maida Withers writes about the creation of her new evening-length show "Thresholds Crossed", a multi-media performance that includes performers from Russia and the United States.

Jane Franklin on “Found”

Unlike a writer - who works alone until ‘ready’ for the editor - choreographers most frequently do not choreograph without another body, a human subject. Ideas are being observed and evaluated by your dancers, in front of your own public as it were, even as they are being created.

Must-read

Three Poems by Sandra S. McRae

Winter Solstice We drive in the darkpast the open fieldsinto the neighborhood:Millions of lights on the housesin the trees—the world a-twinkle with hopewhile overhead a...

One Poem by Sarah Karowski

Kindly i want to diein the same way daddytakes care of tarantulas—kindly. pick me upby the leg & chuckme out the way. Sarah Karowski (she/her) is...

Street Scene by Vincent Casaregola

Street Scene Early evening heat rises frompavements, from cement and asphalt,carrying a scent slightly sour,slightly acrid—oily and tar-like. Outside the café, beyond its fenced-intables, a large...
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