Home Blog Page 120

Two Poems by Ethan Goffman

Waiting to Cross a Busy Road

I am trying to cross a busy road

at a spot with no crosswalk for miles and miles and miles and miles

but someone must have constructed a machine of infinite car generation

way down the road, due north, just past the horizon.

And another such machine due south.

That’s the only explanation

for why the cars just kept coming and

coming and coming and coming and coming and coming and coming and coming and coming and coming and coming and co

nimoc dna gnimoc dna gnimoc dna gnimoc dna gnimoc dna gnimoc dna gnimoc dna gnimoc dna gnimoc dna gnimoc dna gnim


There is another possibility.

People could have constructed roads all over the planet

and hundreds of millions of cars to fill them.


Of course, that would be insane,

            a form of mass suicide,

over the short time horizon that is human existence.

The ecosphere couldn’t survive

            the snaking, strangling network of roads and super-highways

the foulness spewing from tailpipes

            numberless as the stars

Relentless zooming vehicles making road kill of

ants flies beetles spiders snails turtles snakes voles mice rats squirrels chipmunks skunks opossums deer elk wolfs coyotes bear

and occasionally people.


There’s a third possibility.

Maybe the road ends just over the horizon

            in each direction

and loops back upon itself

so that a limited number of cars are traveling the same road over and over and over

giving the illusion of infinitude

like an old Hollywood film where the camera pans over the same set of performers

so they seem like massive crowds.


That must be it!

The least implausible explanation.


You might think I’m writing this from the safety of my home

emotion recollected in tranquility.

But it’s scrawled in blood from my finger tips

pricked by thorns from a withered roadside locust tree.


Mowing the Lawn

I come upon a corpse,

a baby bird, almost a fetus still

that likely never felt the thrill

of flight

even for an instant.


With a swift sideways kick

I send the sad little thing

into the garden.


It will become fertilizer

nourishing

new plants

housing and feeding

future bugs

themselves food for

future birds.


Nature is cruel

nature is kind

nature runs in cycles

nature knows neither kindness nor cruelty.


I cut neat

shrinking squares of wild grass

into tamed pastures

conquering nature once again.


One day I will be

food for maggots

and worms.


As I end my morning trials, I glimpse

hopping across the fresh cut grass

a baby bird

vibrant with life

ready to fly.

Ethan Goffman’s poems have appeared in BlazeVox, Mad Swirl, MadnessMuse, Ramingo’s Blog, Under the Bleachers and Setu, as well as the anthologies The Music of the Aztecs, Epiphanies and Late Realizations of Love, and Narwhal’s Lament. He is co-founder of It Takes a Community, a Montgomery College initiative that brings poetry to both students and local residents. In addition, Ethan is founder and producer of the Poetry & Planet podcast on EarthTalk.org.

Image by Panek – Own work, CC BY-SA 3.0 pl, https://commons.wikimedia.org/w/index.php?curid=40958667

Two Poems by Mabel Ferragut Smith

To the Poet—S. K.—

on Channel WNET-13

Your unexpected

radiance lightens the gloom

in Brooklyn. You hunch;

you sit by the sea.

Rumbling like the rumpled waves,

your voice splashes me.

Your eyes incite play,

defy hundred-year-old skin,

though every crease hears

death’s whisper. You dawn

on me. Spilled from my vessel,

adrift,

I drink your words,

like the ocean drinks the light

of raging sunset.

Factually

facts

are

stones:

quiet,

unchangeable

context.

if you turn

a stone

in your hand,

it presents

different aspects

of itself

if you look

at the fifteen stones

in the garden of 

Ryōan-ji, you will see

only fourteen, no matter

where you stand.

if you submerge

a stone, its color

will intensify,

even transform,

without changing

the fact of stone.

if you suppress

stone, pressurize

a molten fact,

it will erupt

in unanticipated ways.

if you holler

in a canyon, stone

will reverberate with echoes.

stone is more ancient than words,

as deep as bedrock, oceanic crust, iron core

as broad as spinning planets circling a universe of stars.

like truth, like love, a fact is the pebble in your shoe, the jewel in your palm.

Mabel Ferragut Smith believes that poems are tendrils that coil between strangers, weaving secret, precise, intimate connections. She writes and reads in pursuit of that moment when the right poem meets the right reader, and magic happens. In addition to writing, she has worked as a choreographer and an architect. She lives in Maryland with her husband and two children, where she is the keeper of a Cuban heritage and beautiful dances, with a tiny forest in the background. She has poetry in Little Patuxent Review. Find her online at mabelferragutsmith.com or @MabelWrites.

Image by PumpkinSky – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=61356182

Three Poems by CL Bledsoe

A Kind of Spring

The best time to fall in love

is when you share your greatest fear

with someone who isn’t listening.

There’s a decent chance that

will become your newest

greatest fear. There’s no point

in letting it shift to anger; who

do you think will listen to that?

Close your eyes and run as fast

as you can into oncoming traffic.

Whoever stops to save you, marry

them. If no one stops—let’s be honest,

no one will—at least you’ve

made good time home. When someone

talks about the weather on an

elevator, don’t believe them until

they offer a ring. There are spies

everywhere. When your heart stops,

it probably means you’re dead. Don’t

worry. All winter, your joints

have ached with chill. When summer

comes, you open your windows to

sneeze at the world. There’s war

outside, but no one calls it that. If they

do, consider baking something for

them. The brown haired men with

accents all call you sir, and the women

snap at their children to make way

when you pass. Smile. Say something

soothing. Step into the mud. If you can

think of a way to feel better about all

this, of a way to stop the meanness

of the heart, please let me know.  

Honeysuckle Vine

A honeysuckle vine grew down

the ditch wall, choking the bracken

in the corner below the road. We’d


clamber up the debris and washoff

to pick the flowers, taste the drop

of sweet, more taunt than meal,

then slide our muddy jeans down

to the bottom. Sucking steps took

us over to the road, to play in the pipe

that ran under. If you were tall

enough, you could walk it, hands on

one wall, feet on the other. They

told us it was dangerous, what if

it collapsed under the weight

of traffic? When they tried to send

us home or to school over the bridge,

we said but you said it’s too

dangerous, what if the road collapses? 

Writing Spider

It was black with yellow stripes,

or maybe the other way around,

in a big web by the overgrown


back door we were scared of.

The legend was that if you spelled

out a word in stones nearby, it


would copy it into its web. Hence

the story about the needy pig,

though I always preferred the rat.


We started with Fuck. When

that didn’t take, Shit. Maybe

this was a puritanical spider,


so we tried Butt. Inside, the living

room was quiet because Mom

was dying in her bed. The light


faded until Dad dragged in,

slurring his steps and bitching

about the lack of dinner. After


we peeled potatoes and put them

on to fry, I snuck out in the cool

of the porchlight and spelled Help.

CL Bledsoe is the author of twenty books, most recently the poetry collection 
Trashcans in Love, 
the short story collection The Shower Fixture Played the Blues, and the novel The Funny Thing About… He lives in Northern Virginia with his daughter and blogs, with Michael Gushue, at https://medium.com/@howtoeven 

Two Poems by Kristin Kowalski Ferragut

Vacuum

Not a heavy weight, more like

carrying around the five extra

pounds from the holidays all year.

Or maybe more like something one

picks up and sets down repeatedly,

like a little screaming baby, rattling

the nerves; one that is never

comforted and never grows up.

Or maybe slightly more weight that

one takes up every several days,

much like the weight of that heavy

vacuum you took from your

Mami’s house. Too unwieldy for

me to use, I say, but you oppose

discarding it. The carpets fill with

fur and dust bunnies take permanent

residence in the corners and beneath

the keyboard no one ever plays.

Thinking to lighten the air, I buy my

own vacuum, bid adieu to those

cute, mini tumbleweeds and groom the

carpet. Still, this weight. It’s most like

the way you look at me, wishing.

Transgendered Ex at Son’s Birthday Party

I think to change into a t-shirt,

            something in which I can chase kids with water guns,

                        something that disregards cleavage and shoulder.

You arrive in a pretty little dress.

            It’s edgy, a sweetheart neckline

                        white with black trim and little crickets and bees perched about.

And those legs, the sort I’ve always wanted — long and lean.

            Why do boys always have the best legs?

                        No saddlebags or cellulite, but smooth exclamation points.

Your legs point up beyond the flared skirt to your new chest that I don’t recognize.

            I adjust my shirt, the one I will not change out of, the one that is not unisex.

            And I reapply my colored lip balm, the same as yours, I gave you last Winter.

I give you a hug and you feel dewy, like a woman glistening.

Never before good at forgetting, I cannot now remember what it was like to be yours.

I hesitate when introducing myself as his mom, with a glance towards you.

            I see your mascara as a challenge and think that I should accent my eyes more.

                        More feminine and brave, I see you as a Goddess, as supernatural as real.

I wish I kept that man I met after you left, the one with the linear thoughts

            who told me that women are from Venus and I talk too much.

                        But only briefly, just to have someone to steady me for a moment.

I avert my eyes as you bend to pick up a candle, a shock of electric blue peeking out.

            I imagine the men I might meet — Tom with the spiky beard that might rub

                        a rash on my face when we kiss. Glenn who rides a motorcycle.

You embrace your son and it looks like a parent holding birthday wishes close to the boy.

No change can render that image unforgettable and for a moment again I am yours.

Kristin Kowalski Ferragut is a regular contributor to open mics, at such venues as DiVerse Gaithersburg Poetry and Roots Studio. She has been the featured poet at Words Out Loud at Glen Echo and participates in local poetry and prose writing workshops, in addition to reading, hiking, teaching, and enjoying time with her children. Her work has appeared in Beltway Quarterly, Mercurial Stories and Nightingale and Sparrow.

Image by C. Praetorius Internet Archive Book Images – https://www.flickr.com/photos/internetarchivebookimages/14782871155/Source book page: https://archive.org/stream/womenofallnation04joyc/womenofallnation04joyc#page/n70/mode/1up, No restrictions, https://commons.wikimedia.org/w/index.php?curid=43935855

Two Poems by Luther Jett

War Story

Here is the book

with torn pages.

Only half remains

to be deciphered.

And here is the house

with burnt rooms,

and a few fading photos

scattered across the floor.

And here, here — Forgive me

but these are my bones.

This is the face I was using.

Wrap them all tenderly.

Sing of me as you sleep.

THE BUSBOY

(Juan Romero, 1951-2018)

Fifty years gone, I still can’t sleep.

When I took up that platter

of sandwiches to his room,

the Senator greeted me,

thanked me, shook my hand.

I felt like an American that night.

Came to this country just

a boy, ten years earlier,

dust of the Sonora still

hot between my toes.

That was my first job, scarce

out of high school.

I’ll never forget how kind

he was, how like a friend.

Bobby.

Twenty-four hours later,

I knelt there, cradling his head

on the cold kitchen floor

while his blood and brains spilled out.

I couldn’t wash my hands for days.

Luther Jett writes: I am a native of Montgomery County, Maryland. My poetry has been published in numerous journals, including The GW Review, ABRAXAS, Beltway, Innisfree, Potomac Review, Little Patuxent Review, and Main Street Rag. My work has also appeared in several anthologies, including “Secrets & Dreams, published by Kind of a Hurricane Press and “My Cruel Invention,” published by Meerkat Press.

My poetry performance piece, Flying to America, debuted at the 2009 Capital Fringe Festival in Washington D.C. My full-length manuscript of the same name was a runner-up in the 2018 Concrete Wolf Louis Award competition, and in the Washington Prize contest, sponsored by Word Works Press.

My chapbook, “Not Quite: Poems Written in Search of My Father” was released by Finishing Line Press in the fall of 2015. A second chapbook, “Our Situation” was released by Prolific Press, (Summer, 2018).

Image by Hal Jespersen (User:Hlj) at en.wikipedia [Public domain]