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Hypnotic Cats and Hairy Legs by Michelle Goldchain

At the moment, I’m working on three creative projects. First, I’m experimenting with new mediums, including yarn, string, wax, and even household products (like honey.) I haven’t produced anything in particular yet, just exploring the materials. One thing on my mind is that I want to create self-portraits in atypical ways. In one artwork I’m working on it shows my legs, drawn in marker, with gestural lines quivering around the outlines. I hope with these self-portraits I can express my feelings—frustrations or fears—without being too overt, or obvious.

I have no one art style. My themes—like my mediums— vary. In any given month I work on a variety of pieces, and frequently each artwork has a different mindset, and intent. From political, to psychological, to eccentric, my paintings, installations, and graphic design projects touch a myriad of topics, colors, and textures. Through some I’m expressing my more playful side—for instance the hypnotic cats series—and through others a darker side – for instance my portraits of serial killers.

One of the things I’m working on right now is a children’s book. I’ve written the book, and am working on the illustrations. The main character is female child who has a kitten that refuses to allow hugs or kisses, and seems to never purr when in contact with others. I hope the book will affirm that physical boundaries can be a good thing, even a way to show love (and respect) to others. Through compromise, friendships—not just with cats, but humans—can become stronger.

Hypnotic Cat #2 by Michelle Goldchain, 2017

I spend part of each day in my work as a journalist. For several years I’ve been a writer/editor of the Curbed blog in DC, part of a national Curbed news network. I’m also a freelance writer and photographer, and am regularly doing that work. When making my art I almost always do it in my home, but the time of day varies. Depending on my writing/photography schedule, I sometimes have time in the day, sometimes the afternoon, sometimes at night. I live in a one bedroom where I’ve been for three years and have a studio set up in the living room, but work wherever I can.

Combining my work as a journalist and art-maker, I’ve just launched a YouTube show that presents art news in a laidback, accessible way. My hope is to reach those who are unfamiliar with, and typically uninterested in, what’s going on in the art world. I hope to be able to help others understand why art, especially contemporary art, is so exciting.

Michelle Goldchain

Michelle Goldchain is a D.C. based artist. Her themes – like her mediums — vary. From the political to the psychological to the eccentric, Michelle’s paintings, installations, and graphic design projects touch a myriad of topics, colors, and textures. Through her artworks, she dares to express her more playful side through vibrant colors and textures as well as her darker side in less pleasant themes, such as serial killers and cigarette usage. To see more of her artworks, head to www.amgoldchainart.com. You can find her YouTube show, Artsplained, about the fun and fantastic the art at DownHillMedia – bit.ly/downhillmedia.

This article was created as part of the BloomBars: imPrint project, a publication series connected to an exhibition at the Gallery at Bloombars April 14 – May 5, 2018.

A Doll With Fries by Ashley Uzer

It’s difficult to be really money-motivated and artistic.

Anyone who’s in a creative field — whether it’s music, fine arts, or fashion design — knows that it’s not the most lucrative profession unless you happen to get really unusually lucky.

When I quit my job in New York City last August to move back home and pursue work that was fulfilling, varied, and allowed me to make my own schedule, I anticipated doing a lot of drawing and painting. First off, I’d have way more time (or so I thought). Second off, I’d have much more space to sprawl out canvases, inspirational print outs, and obscene amounts of paintbrushes — something I didn’t have in my tiny Upper East Side apartment.

When I first got down here, I jotted down idea after idea of paintings I wanted to create via the notes app on my iPhone, and spent hours doodling intricate birthday cards for friends and family — something I would have never made the time to do before. And yet, instead of finally taking time to pursue my creative passions and hone my painting skills, I fell into a demanding project manager role at a digital consulting agency and enrolled in an MBA program at American University. My time quickly became consumed as before, with deadlines, invoices, and final exams.

Black Barbie with Ramen Noodles, 2017, by Ashley Uzer

When I first wrote a description of this series of paintings that will be on display at BloomBars, I mostly focused on American society’s obsession with having the “perfect” body, and how in these images I’m contrasting that with our nation’s fast food culture, and lifestyle. Because the figures are bodies of dolls there’s an additional creepy but also funny layer in the way the figures connect to childhood, and play. The doll forms are easier to look at than images with more realistic human figures. They’re exploited, but not in a “bad” way. Weirdly enough, it feels like somehow this juxtaposition applies to my current artistic rut, and attempts to “have it all” (or, more appropriately, “do it all.”)

The problem is, as a freelancer who has so many projects and deadlines on her plate, it’s difficult for me to find the motivation to paint. The finished products may end up just sitting in my basement. So while I’ve finally gotten to a place in my career where I feel more confident financially, and professionally, I know that if I spend less time on work and more time on painting, I may “fall behind.”

Barbie with Blue Slurpie by Ashley Uzer

That’s why being part of this show is fun for me. I know not everything I create will be presented, purchased, or even liked — but this opportunity has given me a kick in the butt to dedicate more (or, any) time to my artistic passions. One thing I have done with these paintings since their completion back in 2016 is get some of them scanned and made into prints. One from the set is hanging in the Galore Media office in New York, and another in an Upper West Side apartment building.

Collectively, as a society, we have a list of things we’ll do when we have the opportunity. But, after suffering a medical scare early this year, I’m beginning to realize that we don’t all know if that day where we have more time will ever come.

I’m hoping to finally sit down and create more artwork now that I am healed from the operation I underwent in January, and hoping to be part of more amazing projects like this one.

Artist Ashley Uzer

Ashley Uzer is an artist, writer, blogger, and digital consultant. She covers art and fashion for DC Magazine, and has bylines at Bustle, Babe, and Galore Media. She also writes about food and fashion on her personal blog, loxandleather.com, and consults for many local businesses. Her favorite artistic subjects are people and food, and her preferred mediums are graphite and paint. Born and raised in the DC suburbs, she recently moved back to the area after spending five years in Philadelphia and NYC, but she is frequently traveling. Ashley studied Design & Merchandising at Drexel University with a minor in Fine Arts. She is now in the process of getting her MBA at American University. Ashley loves meeting new people, but hates small talk. She gets restless when she’s in the same place for too long. If she could only wear one color for the rest of her life, it’d be red. Her happy place is somewhere warm, eating chocolate chip cookies for breakfast, and listening to pop-punk music from 2006. Her ultimate goal is to be able to write, paint, and travel while making enough money to buy a salad in NYC without wincing at the register. In 2018, Ashley hopes to create more art, see more cities, do more yoga, and continue to live life to the fullest.

This article was created as part of the BloomBars: imPrint project, a publication series connected to an exhibition at the Gallery at Bloombars April 14 – May 5, 2018.

Haiku by Charles David Kleymeyer

0

Haiku Haiku

haiku moment —

most pure

before words form

 

swallowing cherry blossoms…

will I compose haiku

with a japanese heart?

 

loon skimming still lake

above its own image —  

wordless poem

 

soul of the poet

soul of the Friend

rice paper waiting for the brush

[note: Friend is the formal term for a Quaker]


a canoe

a haiku

each floating on reflection

 

 

Spirit Haiku

 

journeying through

the heart of god —

our paddles silently dip and swing

 

climbing the mountain trail        

I hear echoes

of footsteps not yet taken

 

I see machu picchu … and

the stones turn to blood

and rush through my veins

 

fog steals up from behind

startles me

then holds me in its arms

 

her heart soars like a midnight loon…

calling, calling

each quivering soul

 

swirling along the winding path    

leaves and breezes . . .

yet    where to?   where from?

 

stones of the old monk’s floor,

worn smooth but never cold —

his feet afire…

 

Chuck and Giant Sequoia, Fall 2016

Charles David Kleymeyer graduated from Stanford University in Creative Writing, earned a doctorate in Sociology of International Development at the University of Wisconsin, worked in grassroots development in the Andes for 45 years, and is now a Senior Fellow at the Center for the Support of Native Lands. He is a Quaker pacifist, environmentalist, fiction/non-fiction writer, and performing storyteller. Kleymeyer has published five books, plus several dozen short stories and articles, and an award-winning historical spirit-quest novel about the New Testament saga (www.YeshuNovel.net). He lives in Arlington, Virginia, with his wife and daughter and has two adult offspring, as well. He has been writing haiku and exploring Buddhism for more than five decades.

Image by BrieCollette – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=51132152

Two Poems by Courtney LeBlanc

Ocean

I’ve got insomnia

again. I lay awake

for hours, listening

to the fan whirl

as my thoughts swim

round and round to you.

You’re six hours

behind so when I can’t

sleep we text, the quiet

pinging of your incoming

message the whale song

I listen for. We tread

carefully but each message

has an undercurrent. We wade

deeper into these waters, aware

of the rip tide threatening below.

I split my life between two

oceans, split my body between

two pairs of hands – floating

toward the current, my heart

underwater, the hands

capable of saving

or drowning me.

Shelter

His voice is a storm

I’ve learned to weather.

He lives in a state of tornado

watches and hurricane warnings.

The sun hidden by storm

clouds for so long my skin

has grown pale and translucent.

A ghost-girl growing cold,

my blue blood pumping slowly.

 

I zip up my raincoat, my parka,

my all-weather jacket. I brace

myself for the torrent

of words and rage he’ll throw

at me. The anger raining down,

stinging my skin, invisible

cuts that will never quite heal

but will sing with pain every

time lightning strikes.

 

I’ve started seeking shelter elsewhere,

finding warmth and words from another

mouth. His hands never curl into thunder-

fists, his tongue never spins

an uncontrolled storm. I shed

my layers, find the sun in his skin.

Lay content in his clear skies.

 

Courtney LeBlanc is the author of the chapbooks All in the Family (Bottlecap Press) and The Violence Within (forthcoming, Flutter Press) and is an MFA candidate at Queens University of Charlotte. Her poetry is published or forthcoming in Public Pool, Rising Phoenix Review, The Legendary, Germ Magazine, Glass, Brain Mill Press, and others. She loves nail polish, wine, and tattoos. Read her blog at www.wordperv.com, follow her on twitter: @wordperv, or find her on facebook: www.facebook.com/poetry.CourtneyLeBlanc.

Image by Warrenlead69 (Own work) [GFDL (http://www.gnu.org/copyleft/fdl.html) or CC BY-SA 4.0-3.0-2.5-2.0-1.0 (https://creativecommons.org/licenses/by-sa/4.0-3.0-2.5-2.0-1.0)], via Wikimedia Commons

 

The Fallen by David Allen Sullivan

1

Off trail where there was no trail,

where your heart was an injured bird,

where you buried your love for

your first wife, and for her lover—

whom you almost loved because

she loved him—grateful their sex

was something that still sparked.

You’d never touched tremored ground

where big trees fell, but that night

in her cabin where she’d brought

her ranger friends for a potluck—

where the jokes didn’t include you,

or were on you. You all jumped up

from that hodgepodge of a meal

when thunder strike tore the night,

rumbled and splintered the near

woods. You rose, momentarily

united, and ran from the cabin.

You heard: That way! and all took off,

leaping bushes and dodging branches,

jumping fallen logs, racing

to be where dust was rising up

from what was down. The fallen still

creaked and coughed into the dark,

groaned like a downed elder, roots

were rock-egg-embracing snakes.

Your then wife pulled herself up

on rent tresses, stood on top

of what once stood above.

And when she reached down

she pulled—not you—but her new

lover up, and their hands held on

a smidge too long before they each

reached down for you and the others

to help mount that broken bridge.

You walked down to the crown,

got lost in the treehouse-like maze.

The branch you tight-roped out on

was riddled by woodpecker holes,

and when you stuck your finger in

an acorn shell that had already fed

the feathered or the cleverer,

you came away with a crawl of ants

that bit you red. It felt good to see

blood, good you weren’t yet dead.

David Allen Sullivan’s books include: Strong-Armed Angels, Every Seed of the Pomegranate, a book of co-translation with Abbas Kadhim from the Arabic of Iraqi Adnan Al-Sayegh, Bombs Have Not Breakfasted Yet, and Black Ice. Most recently, he won the Mary Ballard Chapbook poetry prize for Take Wing. He teaches at Cabrillo College, where he edits the Porter Gulch Review with his students, and lives in Santa Cruz with his family. His poetry website is: https://dasulliv1.wixsite.com/website-1, a modern Chinese co-translation project is at: https://dasulliv1.wixsite.com/website-trans, and poetry about the paintings of Bosch and Bruegel is at: https://dasulliv1.wixsite.com/website. (Due date: Feb. 1st)

Image: CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=11085