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Easter Eve in Philadelphia 1963: For My Sisters by Bernardine (Dine) Watson

On the night
before the resurrection,
four little girls
are seated around
the dining room table
a rainbow of chocolates
and twice as sweet.

Sisters, they gather to perform
a family sacrament–
turning eggs into the colors
of tomorrow’s dresses
careful careful
the girls whisper
reverently, turning eggs
from side to side

Pink
violet
yellow
blue
fragile hearts shining
through Sunday school curls.

In the kitchen
elders gather
around the radio
listening for the
Saturday night news.
Already the year has been bloody
down in Birmingham
and injustice anywhere
is a threat to justice everywhere.

Sit ins
marchings
beatings
bombings–
the jailing on
Good Friday was
anything
but good.

The little girls
know nothing of oppression
just the murmurs
from grownups
in the kitchen.
On Easter morning, they will rise
to sing hosana in the children’s choir
unaware of how innocence
can run red as blood.

Prior to taking a serious interest in poetry, Bernardine (Dine) Watson worked as a social policy writer for major foundations, nonprofits, and media organizations. She has written for The Washington Post, The Ford Foundation, Annie E. Casey Foundation and Stoneleigh Foundation. Dine’s poetry has been published in the Beltway Poetry Quarterly, Indian River Review, by Darkhouse Books, and by the Painted Bride Art Center.  She was a member of 2015-16 class of The DC Commission on the Arts and Humanities’ the Poet in Progress Program, and the 2017 and 2018 classes of the Hurston Wright Foundation’s Summer Writers Week. Dine serves on DC’s Ward 4 Arts and Humanities Committee and on the selection committee for the Takoma Park Third Thursday poetry reading series. She’s read her poetry in venues throughout the DC metropolitan area with More Than A Drum Percussion Ensemble. Dine is a current member of DC Women Writers of Color.

Image by Rowland Scherman, CC BY 2.0 <https://creativecommons.org/licenses/by/2.0>, via Wikimedia Commons

Two Poems by Dreama Frisk

Sister in the Groves

In the darkness of an early morning,
In the chill of a tropical winter,
My car trails the work bus
Along narrow, sandy roads.

The bus hauls its cargo of workers
To the orange groves,
To climb ladders,
To pick bushels of fruit.

I am a worker, too,
Driving to school
To teach the children
Of migrant pickers,
To teach the children
Of the owners of the groves.
I am worrying about the children,
And about me,
As I follow the bus.

The bus pulls to the side of the road.
A dark figure appears from the palmettos,
As dawn begins to play in the sky.

I see light falling
On the fullest, round belly.
She must give birth this day!
She pulls herself
Onto the steps of the bus.
She is gone.

Oh, sister,
What will happen to you this day?
What has happened to our world
To leave us both
So out of joint,
As I teach;
As you pick and give birth?

My Orange Bathing Suit

Me, in my orange bathing suit,
A boyfriend, the quarterback,
Cute and sweet, coal miner’s son;
Kay, tall and lithe, forget her boyfriend’s name,
Only that he occupied a piece of her mind,
On the rocks at the edge of New River, oldest river in North America.
The ancient New River winding its way
Through endless crevices to the Gauley, to the Kanawha,
To the Ohio, and to the Mississippi.

We lay about on boulders, hot from the noon sun
Making its way across the sky
Dragonflies skimmed the eddies.
The sun finding us long enough to burn our fair, young skin.
Free from school, free from parents, free from small town eyes.

Rocks, standing since the ice age, heated our bodies
From beneath, warming us from cold mountain winters.
All around us mountains hovered, covered with huge trees,
The Appalachians, one after endless one.
We thought they would always fill the sky.
Strip mining was just beginning;
Mountain top removal, a horror we could not imagine.

Kay could give her guy her devotion; he preened in it.
I, in my orange bathing suit, only suspected
It was an art, this devotion. I was in love with the sun,
The sky, and my orange bathing suit. We thrived in that history
And did not think to ask that it last forever.

Dreama Frisk has published in Wild Sweet Notes, Fifty Years of West Virginia Poetry, Inside Out (Quaker Journal), The Charleston Gazette (WV), and Journal of Virginia Writers, juried for placement at Tamarack (WV arts and crafts center). She graduated from West Virginia University and University of Virginia.

Dreama taught in Florida schools where she also worked with the American Federation of Teachers. In Arlington, Virginia she taught World History to young adults in a special program.  She has studied with Marc Harshman, WV poet laureate, and Barbara Kingsolver, and led a writers’ group, Ice Mountain Writers, at Romney, WV where she lived with her husband in a nearby cabin. She lives in Arlington, VA.


Image: Aerial View of Parkersburg, WV, Earth Science and Remote Sensing Unit, NASA Johnson Space Center, Public domain, via Wikimedia Commons

The Rusalka’s Dance by Elizabeth Stevens

I watch him from my waters, wondering

at what his thoughts may be. He cuts at reeds

along my riverbanks, his sickle an

arc of whistling air, a singing sort

of violence that joins the music of

sawing crickets, clicking bats, and calling

nightjars. He doesn’t realize he’s part

of the night’s quiet symphony: his breath

so hushed, his steps that crunch, his heart in such

sync with mine. I rise draped in river mist

and slip my hand in his, entwining our

fingers. We dance as grass grows long beneath

our feet, and he dies in my arms as I

lead him on, all his music mine to eat.

Elizabeth Stevens was born and raised near Baltimore, Maryland. She uses her poetry to explore the ways evangelicalism has affected her relationship to her gender and sexuality. Her work has been previously published in Spilled Milk Magazine and Prometheus Dreaming, and she was nominated for Best of the Net in 2021. If she was a cryptid, she would be the Loch Ness Monster, because she too would like to hide at the bottom of a lake where no one can bother her.


Image: Ivan Kramskoi, Rusalki, Public domain, via Wikimedia Commons

A Poem by Michele Keane-Moore

To My Entangled Quark

Shall we sit a moment

To sip our jasmine tea and enjoy

Being in the same room

At the same table

with its flowered tablecloth?

Sun is spilling over both of us

With its hint of warmth,

Unmasking every wrinkle

In a familiar and slightly rude way.

The new day is upon us

Calling frantically

Like the wrens outside

For us to pay closer attention.

There are so many directions

In which we could go

And maybe should

But there is only now

That we have together

Before distance and time

Pull us apart again.

On the eve of yet

Another birthday,

I would rather forsake

An early arrival

At an unknown destination

For the time I have right

Now here with you.

Michele Keane-Moore is an avid birder and photographer who takes her inspiration from the natural world.  She teaches biology as an adjunct at Western New England University and tries to get outside every day.  


Image courtesy of the author.

a short party for strangers on the Serengeti by Timothy Hudenburg

bore more

bone marrow

lessons now here

plant neither nor


animal either or

lessons here now

nowhere amongst omnivores

creatures just beginning to assert their dominance

T. M. Hudenburg is glad this interesting and unusual (bizarre) piece found a home here.


Image by Mike from Vancouver, Canada, CC BY-SA 2.0 <https://creativecommons.org/licenses/by-sa/2.0>, via Wikimedia Commons