Oppression, according to Brazilian theater director and political activist Augusto Boal, happens when one person is dominated by the monologue of another and has no opportunities to reply, dialogue, or interfere in the change of an event.
Theater artist Anne Veal writes about the creative process of writing and producing La Rinascita Theatre's new adaptation of Oresteia, which opens February 10th, 2010 at the Capital Hill Arts Workshop.
Alison Friedman discusses why one modern Chinese dance performance does not represent China, or Chinese society, but does represent our shallow understanding of world dance.
The Artistic Director of the Baltimore Ballet writes about the preparations for his company's performance of "Scheherazade", one of the great classical ballets.
stars melt in your skin
for R.M
quiet nights held inside your hands like water waitingfor the chance to become your ladder.
you first reminisced, as if...
After William Carlos Williams
So much
De
Pends
Uponthe dazed chickens
Fraughtwith meltwater
Besidesthe demonic and menacing
Icecream truck
Thatcirculates the neighborhood
Withan off-key kilter tune:
(Davidsings-“ dee bee dee bee dee bee boop...
