Bourgeon’s mission, through our online publication and community initiatives, is twofold: to increase participation in the arts and to improve access to the arts. Bourgeon is a project of the not-for-profit Day Eight.
Notes from the Dance Critics Panel Discussion, November 2007, in which dancers and choreographers argue with local dance critics about the role and appropriateness of each other's work.
Commissioned by Bourgeon, Heather Risley reports on Dance USA's national survey of Gender in Dance Leadership, exploring local expressions and influences on this national trend.
"One of my least favorite cultural institutions here is the Auto Hotel. Auto Hotels are designed expressly for covert sexual encounters, and they’re everywhere. When you drive into an auto-hotel an attendant waves you toward a very tight enclosed parking space."
I am trying to make sense out of the intersection of literature/narrative and dance. In the creation of Tundra, I started with a series of questions. What is it to be a woman in the world, alone?
Dana Tai Soon Burgess writes about the development of his new dance piece - Chino Latino - and the work's roots in his experiences as a teenager in Santa Fe.
Tyrant-Poem
IWe will shake our bodies like animals abandoned in the forest,and the moon will sing lullabies for thedead;the dead who were mine and did...
New Day, New War
dawn breaks over dust—jets thunder into IranIsrael’s warning
missiles cross at dusk—sirens bloom in BeershebaTel Aviv trembles
bunker busters boom—America joins the fraycall...
Glass Houses
We hide behind glass—thin, trembling breath,shattered silence,each crack a raw wound,a secret bleeding light.Truth fractures us—yet in jagged breaks,strength flickers, trembling,not a mask,...
