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Two Poems by Amuchechukwu Nwafor

Amuchechukwu Nwafor is a finalist in Day Eight’s annual open-to-all poetry competition, the DC Poet Project. Read more about the DC Poet Project here and attend the culminating reading event Saturday May 4, 2024.

Taboo

She’s heavy handed.
She puts too much pepper in her stew.
She addicted to leaving his mouthwatering
And numbing his taste buds, too

Her brown hands have an affinity
For remixing recipes.

She’s addicted to smothering love in violence
Marinating trust in control,
Melting away vocal chords,
And snatching up egos.

Her palms are coated in seasoning.
I see the bouillon all over his face.
Her love language is physical touch.
Her love language is taboo.
She knows
His eyes will always say more than his lips.
She knows
Real men aren’t supposed to flinch
At the taste of pepper.
He swallows the heat,
Chasing his silence with water.
I watch him try and water his seeds
With the fire on high,
While trying to avoid her boiling point.
Everybody likes a hot n spicy mami
Until they get scolded and burned.

In spite of the spice,
I hope there is still a little sugar at his roots.
A little cane juice to sip
To reset his taste buds.
A little cane juice to sip
When things get too taboo.

Suite Poetry

We smoke haze
and sip chocolate water on the bench
outside of the hotel.
We might be the only guests
native to the dying city.
The only evidence of a
chocolate city legacy.
We float down white hallways
like murals down U-street.
Within a few hundred square feet
of white towels and white sheets
we find our solitude.
We make ourselves
comfortable, and I pretend
we are a product of Marion
Barry’s dream. Our small hotel
room transforms into a penthouse
suite, overlooking the Wharf.
I watch your skin glow
in the evening sun.
The red orange skyline
perfectly illustrates our sentiments
of compassion and intimacy.
We take our place on the bed.
Our semi-sweet bodies absorb
what is left of the sun.
It is in moments like these
where I feel the safest.
I want to take you home
with me. Our escapades
across the city, have left me
yearning for permanent residency.
I try to be present. High above
the smog of the city’s traffic,
I am loved here.
Like the security deposit,
our plans slip through our fingertips.
Our long locs intertwined like vines
as we color the night
with our silhouettes,
with our cocoa hues.
I know that love is not
a jazzy R&B song.
Still, we play 50 shades of
Afro Blue underneath the stars.
And when I dream of the land
my soul is from,
I know I will find you there.
In the morning, I am greeted
by the light and nutty aromas
of jojoba and argan oil
as I lay with my face in your chest.
I inhale this sweet ritual.
I don’t inquire about check out time.
Not ready to head back
to our separate corners of the city
we linger into the afternoon.
You say you want us to
intentionally choose one another
and naturally, I’ve always chosen you.
If you give me your heart
to carry home,
I’ll give you mine.

Amuchechukwu Nwafor is a local writer, educator and teaching artist in the Washington, D.C metropolitan area. She is a first-generation born Black American whose poetry touches on the diaspora, mental health, and the female experience. She considers her poems to be still life paintings of intimate experiences, emotions and observations. Amuchechukwu has performed at Towson University, Pentagon City Fashion Mall, the Show Place Arena and many other places in the DMV. Her poems were recently published in the Maryland Bards Anthology and Day Eight’s Mid Atlantic Review. Through her writing she aspires to heal, grow and inspire people from all different walks of life.

Photo by David J. Stang, CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0, via Wikimedia Commons

Three Poems by CanMan Tha Poet

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CanMan Tha Poet is a finalist in Day Eight’s annual open-to-all poetry competition, the DC Poet Project. Read more about the DC Poet Project here and attend the culminating reading event Saturday May 4, 2024.
 

Diamond

I’m a girl’s best friend
In both her ears more than her phone is
On her fingers attached to a ring
Yet under so much pressure
It may burst pipes
But it made me who I am today
Hidden in the deepest of Roughs
I’m just Shining
Please don’t mine me
 

The Life of Pi

I wanted to vote Libratarian in the Upcoming election
The way Congressman Pi sees things is truly Revolutionary
Understanding the balance of life is within his hands
Willing to look past people that sales fish off a scale
But not willing to go past fish when he sets sails

Like a true Water Bearer, Reigning on the land making it plentiful
Ramming through any obstacles, showing the people what a real leader can do
He was like Aquarius Ganymede giving Zeus the royal goblet charging up
Turning into Aries willing to show his constituents the Art of war

Giving off real king of the jungle vibez like a Lion
With an ability to pull people close to him like scorpion
Having thousands of people roaring like a leo
And thats truly freaky like a scorpio

While in all actuality he is really a virgo
And thats no bull
People wouldn’t even know that really a virgin
Living with parents and driving a ford Taurus

Only because he just beat stage 2 Cancer showing how triumphant he can be
Did so in the Phillipines, Oversees he’s a true goat
Now he can eat shrimp and crab at cookouts
Drinking Capri-suns and eating popcorn amougst Capricorns at his pep rally’s

Physically he was built like a minotaur
Yet I swear him and I are twins
The last thing he told to me was that every Sag-I-Tear-Is-us
Congressman Pi was a real Gem so am I

However he was a true legend like no other man
He was a real American nothing like the taliban
Making wonders happen all over like no other man can
*Poof* Disapeared into then air, true magical talisman
 

Enzo

Everlasting love
Naturally Gifted
Zany by Nature
Overachiever by accident

Brilliant compared to his peers
Readily eager to learn something new
Out of this world potential
Oh my he is a true prince
Kindhearted yet tough
Soooo Proud to have him as my son.

CanMan Tha Poet is an emerging poet from Washington, DC. He graduated Luke C. Moore Academy SHS with the Eagle award for best character and NMTI with certifications in Swedish & Sports Massage. He’s overcome his share of hardships along the way, like losing his parents before the age of 21, which helped him develop a deep passion for poetry. His writing style is diverse and intricate, creating vivid imagery that will leave you spellbound. CanMan Tha Poet is a storyteller who weaves together diverse themes in his poetry. His raw and unfiltered poetry will take you on an enthralling journey through the urban landscapes of his words. Follow him @CanManEnterprises on all socials.

Image: Mauro fiorentino Phonasco et Philopanareto, Public domain, via Wikimedia Commons

Two Poems by Zorina Exie Frey

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Momma’s Corn Pudding

“Soul food: Scraps became cuisine celebrating African-American spirit.”
~Tim Grant, Pittsburg Post-Gazette, February 3, 2006.

Up to plate.
It looks like a typical pan of corn
until you cut your spoon into it.
The corn doesn’t spill into the crevice.

Its consistency is firmer. That’s when you realize,
this ain’t the maize your momma serves out the can or shucks from the stalk.
This corn is amalgamated with sugar milled from islands,
picked with brown and indigo fingers clawing into home base.

“I’m safe!”

screams the spirit, but the umpire isn’t playing by the rules.

“You’re out!”
of your country,
of your heritage,
of your culture,
of your food,
even your speech.

You are out

in the fields under southern sun
shucking and singing spirituals of how sweet sweet that corn pudding will be
when made with hands that are free.

What the TV show Yellowstone didn’t say about the Black cowboy

“But where are the stories of all enslaved Black servants who worked with horses, who wanted to mount and ride away from endless servitude? Those stories are silenced.” ~Bell Hooks

Instead of cotton & tobacco, you got cows & bulls.
Bought. Led out to pasture.

Hey Boy, you got the short end of the stick!
No one can hear you scream. Too far from town. Too far
from anyone to see you look free. Too far

from anyone seeing you do it better than me. On my ranch
it’s ok to ride the horses now.

Wrangle dem cows, Boy!
Get dem dogs to help, Boy!
Like how they used to chase you down, Boy.
Dem yours to train, Boy.

Get dem cows, Boy!
You ain’t nothing but a cow, Boy!
You ain’t nothing but a cowboy!

Herd dem from meadow to pasture.
Break dem nags like we broke you.
Brand dem cows like I branded you, Boy.
Brand yer brother, Boy.
You ain’t nothing but a cow

Boy, you sure know how to handle dat nag,
even got a little swag. My daughters sneak to see
you rope-a-dope in the sun glistening

Black, ya’ll make cow’ing look easy,
riding the bull’s neck!

Fucking cowboy.

Zorina Exie Frey is a 2023 Pushcart Prize Winner, Adjunct English Instructor, and spoken-word poet living in Maryland. Her work has appeared in Glassworks Magazine, Shondaland, and the forthcoming anthology An Introduction to Afrofuturism: A Mixtape in Black Literature & Arts. Additional credits include: Chicken Soup for the Soul, I’m Speaking Now, Black Women Sharing Their Truth in 101 Stories of Love, Courage, and Hope. 

Featured Imaged: Texas State Historical Association, Public domain, via Wikimedia Commons

Two Poems by Kiarra Patterson

Kiarra Patterson is a finalist in Day Eight’s annual open-to-all poetry competition, the DC Poet Project. Read more about the DC Poet Project here and attend the culminating reading event Saturday May 4, 2024.

Ultralight Beam

This poem is for people who have considered suicide when faith wasn’t quite enuf.
When they were too scared to ask for help.
Too prideful to say their struggles aloud.
Too shamed.
Too judged.
Too in denial.
The ones who went to their parents first and was quickly shut down.
The ones who were told:
“You don’t know what stress is.”
“Get over it”
“Pray. Pray. Pray.”
Not knowing they were already prey.
Preyed on by a mind weak enough to betray them but strong enough to break them
down.

This poem is for people who have considered suicide when faith wasn’t quite enuf.
When they were still struggling after that talk with God.
After they were bended knee for the third time that day.
After they have cried to everyone who would listen because they have grown tired of
crying to themselves.
After they have bargained for their peace.
The ones who could benefit from talking to a professional;
But didn’t know the option because it was too taboo to discuss in the home.
Or the ones like me.
Who don’t want to die but sometimes wish they didn’t exist in the moment.

This poem is for people who are no longer considering.
The ones who completed the attempt.
Who could no longer hold on.
Who allowed faith to catch them on the other side.
Who have closed their pain but now opened the door for the pain of others.
The aftermath.
The grief.
The struggle.
The cycle.

This poem is for people who are on edge.
Who can still be saved.
Who just needs to know someone is listening.
I am here.
And in some ways I am you.
Still looking for the enuf to not consider ever again.

An Evolution

I read somewhere that loving someone is to attend a thousand funerals of who they
used to be.
And a thousand births of who they are becoming.
So, what if you met me then versus now?
Would you be willing to attend?
Would you be willing to not judge me for my past mistakes?
To know that I once traded in my innocence to become not a woman but someone’s
woman.
Because I thought belonging to someone validated who I am.
When in reality, it was preventing me from growing into who I needed to be.
To know that my need of reassurance is not because of something you did wrong.
But because of my insecurities.
To know that I identify with more than one love language because I want to receive the
same amount of effort I put in.
To know that I am working on listening to comprehend and not to respond.
To know that I am not trying to be nosey when I ask you questions.
Just trying to learn you like I learn myself when I put pen to paper.
Its less edits that way.
That when I take notes, I am not using my degrees to therapize you.
But I am annotating the things I notice make you tick versus those that make you smile.
Because your story is important to me.
You will be attending more than a thousand funerals and births for me.
But know that you will be in every eulogy and on every shower invitation because you
are a part of an evolution.

Kiarra Patterson, known as Ki, was bred in Southeast DC. She is a graduate of the first degree granting HBCU, Lincoln University, and completed her dual masters at Widener University. Kiarra is currently a sexual assault counselor with a special focus on the military community. Creatively, she is a poet, self published author, and certified teaching artist but knows there is no limit to further developing her craft. Ki believes poetry is a healing power and continues to create the space for expression and release in inclusive spaces. Kiarra received the 2021 DC Mayor’s Art Award for Emerging Creative. She was also nominated for the DMV Renaissance Awards for Best New Poet in 2022.

Image: Арина Ахметова, CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0, via Wikimedia Commons

Witch Hazel Tree by Dorothy Waters

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These poems are part of a special section of the Mid-Atlantic Review, Celebrating Black History, and selected by editors Khadijah Ali-Coleman, Carolivia Herron, and Rebecca Bishophall. To learn more about this series read a blog post on the Day Eight website here.

Witch Hazel Tree

by Dorothy Waters

“Benjamin Hance, an African American man, was lynched June 17, 1887 in Leonardtown, St. Mary’s County. The men took Hance to the outskirts of town and hung him from a witch hazel tree.” – msa.maryland.gov

What

Is

The

Crime against Benjamin

Hance
 

His hue

Aroused

Zealots

Earnest in their

Lynching of him
 

They tortured and hung him with

Racism and

Evil and

Excuses
 

Dorothy Waters is a Maryland native – mother of one, grandmother of one, and mother-in-love of one. She was born to talented parents among twelve siblings. She writes poems sporadically – sometimes to suit special occasions or events, sometimes to remember or honor someone, or just on a whim. She realizes that the placement of words and the way they are configured and formed can compel you to laugh, to cry, to think, to sigh, to remember, to understand, to grieve. Her poems are written from snippets of conversations, interesting word groups, the sounds or appearances of nature or mankind, and just general observations. She knows that words and how they are written, spoken, sung or perceived – matter.

Featured image in this post is Witch Hazel Tree in Hillsboro, Oregon by M. O. Stevens, licensed under the Creative Commons Attribution-Share, wikimedia commons.