"Archival policies for the field need to be developed, both to ensure preservation and performance of important works, and to encourage the necessary funding mechanisms."
Alison Friedman discusses why one modern Chinese dance performance does not represent China, or Chinese society, but does represent our shallow understanding of world dance.
Katrina Toews, Director of the Washington Ballet's program at THEARC writes about creating a real ballet training program within what has been an "outreach" community.
Jonathan Carrington, Executive Director of Dissonance Dance Theater, writes about the problems of white teachers bringing traditionally white dance forms to minority communities.
The Artistic Director of the Baltimore Ballet writes about the preparations for his company's performance of "Scheherazade", one of the great classical ballets.
Choreographer Laurel Victoria Gray discusses creation of her company's upcoming concert, and the tensions between traditional Indian dance and the new Bollywood styles.
A Heart-Shaped Amulet
Gazing upon the houses and fields of my kingdomI can see my grandmother outside a cottage –around her neck a heart-shaped amulet.Behind...
How Soon Is Now?
Christmassomewhere in Dixie
a young mothernurses her baby
listening to anythingbut The Smiths
while geekstry to figure out
her nameher location
Students shotthe footage
yet thered hat
that...
Fenwick Island
I wish you were here,for you would understandhow the confident starscan move this nightto companionable pity,unwholesome as it is,how the imperishable seamasquerades its...
